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“報(bào)成寺”設(shè)計(jì)依據(jù)及實(shí)踐剖析

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  本文選題:報(bào)成寺 切入點(diǎn):空間布局 出處:《天津大學(xué)》2014年碩士論文 論文類型:學(xué)位論文


【摘要】:佛教自創(chuàng)立發(fā)揚(yáng)傳承至今,以它的精神引人向善、教化眾生,給人以心靈的慰藉和啟迪,在人類社會(huì)發(fā)展進(jìn)程中有著具足輕重的地位。如今在社會(huì)體制全面完善、文化產(chǎn)業(yè)高速發(fā)展的時(shí)代背景下,傳統(tǒng)佛教也成為了社會(huì)前進(jìn)不可或缺的有效支撐。因此各組織機(jī)構(gòu)不僅對(duì)現(xiàn)存的佛寺開始進(jìn)行翻修擴(kuò)建,也同時(shí)大批量的新建廟宇,來凈化社會(huì)快速發(fā)展產(chǎn)生的負(fù)面因素。著眼于經(jīng)濟(jì)社會(huì)多元化的現(xiàn)狀,大批破土而出的寺院的功能也需要朝著多元化的趨勢(shì)發(fā)展,在這種現(xiàn)狀的驅(qū)動(dòng)下,需對(duì)佛寺本身的空間構(gòu)建和組織、建筑單體的自身風(fēng)格和景觀環(huán)境的營(yíng)造等諸多方面進(jìn)行整理研究,得出一套可以使中國(guó)當(dāng)代佛寺與社會(huì)發(fā)展相適應(yīng)的建設(shè)方式,從而使傳統(tǒng)文化與現(xiàn)代城市合理共存、有序發(fā)展。中國(guó)傳統(tǒng)寺院在進(jìn)行現(xiàn)代營(yíng)造時(shí),既要體現(xiàn)佛教思想的博大精深,也要滿足一些在現(xiàn)代審美觀下的創(chuàng)新發(fā)展,使傳統(tǒng)佛教文化在這個(gè)博弈的過程中得到進(jìn)一步的傳承和發(fā)揚(yáng)。本文以中國(guó)天津武清報(bào)成寺實(shí)際工程作為研究對(duì)象,從群體規(guī)劃化、單體設(shè)計(jì)以及景觀營(yíng)造三個(gè)大方面入手,探討這個(gè)仿唐代風(fēng)格的寺院是如何進(jìn)行設(shè)計(jì)和建造的。通過對(duì)現(xiàn)存唐風(fēng)遺構(gòu)和大量資料的研究,得出一些基礎(chǔ)理論,再結(jié)合論進(jìn)行設(shè)計(jì)與創(chuàng)新,力求完整體現(xiàn)其唐代建筑風(fēng)貌。文章會(huì)剖析設(shè)計(jì)過程中存在的問題,例如,傳統(tǒng)布局和使用要求之間的矛盾,建筑形式和結(jié)構(gòu)之間的矛盾等,利用這些問題的發(fā)現(xiàn)與解決,找到新的設(shè)計(jì)手法在傳統(tǒng)建筑營(yíng)造時(shí)的平衡點(diǎn),也希望為今后寺院的設(shè)計(jì)發(fā)展起到拋磚引玉的作用。
[Abstract]:Since its founding and development, Buddhism has been in a position of importance in the course of the development of human society. Now it is in an all-round way in the social system, so as to attract people to the good with its spirit, to enlighten and enlighten all living beings, and to give people solace and inspiration in the heart of the mind. Against the background of the rapid development of cultural industry, traditional Buddhism has become an indispensable and effective support for the advancement of society. Therefore, organizations not only began to renovate and expand the existing Buddhist temples, but also built new temples in large quantities. To purify the negative factors generated by the rapid development of society. Focusing on the present situation of economic and social diversification, the functions of a large number of monasteries that have broken out of the earth also need to develop towards the trend of diversification. Driven by this status quo, It is necessary to arrange and study the space construction and organization of the Buddhist temple itself, the style of the individual building and the construction of the landscape environment, etc., and obtain a set of construction methods which can make the contemporary Buddhist temple in China adapt to the development of the society. In order to make the traditional culture and modern city reasonably coexist and develop in an orderly manner, Chinese traditional monasteries should not only embody the broad and profound Buddhist thought, but also satisfy some innovative development under the modern aesthetic standards. So that the traditional Buddhist culture can be further passed down and carried forward in the process of this game. This paper takes the actual project of Wuqing newspaper Cheng Temple in Tianjin, China as the research object, starting with three aspects: group planning, single design and landscape construction. This paper discusses how to design and build this monastery that imitates the style of Tang Dynasty. Through the study of the existing relics of Tang Dynasty and a large number of materials, some basic theories are obtained, and then combined with the theory of design and innovation, The article will analyze the problems existing in the design process, such as the contradiction between the traditional layout and usage requirements, the contradiction between the architectural form and structure, etc., and make use of the discovery and solution of these problems. To find the balance point of the new design method in the construction of traditional architecture, also hope to play a role in the design and development of the temple in the future.
【學(xué)位授予單位】:天津大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:TU252

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