本文關(guān)鍵詞： 可再生能源 可持續(xù)能源景觀 生態(tài)型美學(xué) 審美生態(tài)范式 審美創(chuàng)作范式　出處：《天津大學(xué)》2014年博士論文　論文類型：學(xué)位論文

【摘要】：能源危機(jī)和氣候變化把凈零碳發(fā)展戰(zhàn)略和再生設(shè)計(jì)原則提上全球日程�？稍偕茉吹膽�(zhàn)略性推廣，使能源景觀成為一個諸多矛盾的交匯點(diǎn)，，引發(fā)了土地利用、景觀質(zhì)量、生物多樣性等系列環(huán)境問題，也把可持續(xù)能源景觀作為時代新范式從幕后推到臺前。本文以可持續(xù)能源景觀為核心研究對象，以當(dāng)代生態(tài)型美學(xué)為審美參照系，通過對傳統(tǒng)能源景觀進(jìn)行反思和批判，以及對未來能源景觀愿景進(jìn)行預(yù)測和展望，尋求其傳承性，確立其不可通約性，以此為契機(jī)建構(gòu)起可持續(xù)能源景觀審美創(chuàng)作范式體系——在一個從本體論、審美價值論到創(chuàng)作方法論的邏輯體系內(nèi)層層遞進(jìn)的導(dǎo)出。 本體論部分（第2章），對可持續(xù)能源景觀進(jìn)行了理論要義梳理。論證了可持續(xù)能源景觀的生發(fā)語境、概念內(nèi)涵、本質(zhì)特征等問題。界定了人地關(guān)系為其本質(zhì)，可持續(xù)生活方式為其內(nèi)核，并把可持續(xù)能源景觀放到人地關(guān)系綜合架構(gòu)中進(jìn)行定位，為論文進(jìn)一步推進(jìn)奠定了堅(jiān)實(shí)的理論基礎(chǔ)。 審美價值論部分（第3、4、5章），在人地關(guān)系綜合架構(gòu)內(nèi)展開。1）在生態(tài)型美學(xué)的邏輯體系內(nèi)實(shí)施“三分法”，建立起自然生態(tài)（真）、社會生態(tài)（善）和精神生態(tài)（美）“三分”的復(fù)合審美生態(tài)系統(tǒng)，界定了與傳統(tǒng)美學(xué)的批判性傳承關(guān)系；2）在復(fù)合審美生態(tài)系統(tǒng)內(nèi)展開審美價值和審美機(jī)制的探求。審美價值的探求，旨在“求真”、“求善”和“求美”，是為“知其然”；審美機(jī)制的探求，旨在通過真與美的分而治之而后復(fù)合，洞悉“審美-生態(tài)”沖突的實(shí)質(zhì)及其化解途徑，是為“知其所以然”。3）以審美價值為基礎(chǔ)，以審美機(jī)制為依托，建構(gòu)起真、善、美統(tǒng)和的審美生態(tài)范式——生命價值、參與價值和家園意識“三部曲”。 創(chuàng)作方法論部分（第6、7章），以審美生態(tài)范式為準(zhǔn)則，在人地關(guān)系綜合架構(gòu)內(nèi)展開。生態(tài)現(xiàn)象學(xué)范式為其“元范式”，具有世界觀和方法論意義。基于生態(tài)現(xiàn)象學(xué)方法，秉承跨學(xué)科和多維度的整合思維模式，建構(gòu)了審美創(chuàng)作原則——無縫集成、循環(huán)再生、開放空間與情境體驗(yàn)；在此基礎(chǔ)上，建構(gòu)了審美創(chuàng)造策略——協(xié)同共生與對話融合。審美創(chuàng)作范式是一個開放的、動態(tài)的范式體系，它以人地關(guān)系“三要素”（目標(biāo)）和“四層次”（手段）作為變量，集萬成一，以一生萬，直至邁向標(biāo)準(zhǔn)范式時期。審美創(chuàng)作范例是借鑒描述美學(xué)進(jìn)行的作品賞析。
[Abstract]:The energy crisis and climate change put the net zero carbon development strategy and the principle of renewable design on the global agenda. The strategic promotion of renewable energy resources has made the energy landscape an intersection of many contradictions, which has led to land use and landscape quality. A series of environmental issues, such as biodiversity, also take sustainable energy landscape as the new paradigm of the times from behind the scenes to the front stage. This paper takes sustainable energy landscape as the core research object, and takes contemporary ecological aesthetics as the aesthetic reference system. Through the reflection and criticism of the traditional energy landscape, as well as the prediction and prospect of the future energy landscape vision, we seek its inheritance and establish its incomprehensibility. Taking this as an opportunity to construct the aesthetic creation paradigm system of sustainable energy landscape, it is derived from a logical system from ontology, aesthetic value theory to creative methodology. In the part of ontology (Chapter 2), the author sorts out the theoretical essentials of sustainable energy landscape, demonstrates the context of sustainable energy landscape, concept connotation, essential characteristics and so on, and defines the relationship between man and land as its essence. Sustainable life style is its core, and the sustainable energy landscape is positioned in the comprehensive framework of human-land relationship, which lays a solid theoretical foundation for the further promotion of the paper. The aesthetic theory of value (chapter 3, chapter 4, chapter 5, which is carried out within the comprehensive framework of the relationship between man and land) implements the "three-point method" in the logical system of ecological aesthetics, and establishes the natural ecology (true ecology, social ecology (good) and spiritual ecology (beauty)). " The compound aesthetic ecosystem of "three parts", Defining the critical inheritance relationship with traditional aesthetics (2) exploring the aesthetic value and the aesthetic mechanism in the complex aesthetic ecological system, the exploration of the aesthetic value, the exploration of the aesthetic value, and the exploration of the aesthetic value. The purpose of "seeking truth", "seeking good" and "seeking beauty" is to "know what it is". It is to "know what it is". 3) based on aesthetic value and aesthetic mechanism, to construct the aesthetic ecological paradigm of truth, goodness and beauty unity-life value, participation value and home consciousness "trilogy". The part of creation methodology (Chapter 6, Chapter 7), based on the aesthetic ecological paradigm, is carried out within the comprehensive framework of human-land relations. The ecological phenomenological paradigm is its "meta-paradigm", which has the significance of world outlook and methodology, and is based on the ecological phenomenological method. Adhering to the integrated thinking mode of interdisciplinary and multi-dimension, it constructs the principle of aesthetic creation-seamless integration, recycling, open space and situational experience, on the basis of which, This paper constructs aesthetic creation strategy-cooperation symbiosis and dialogue fusion. Aesthetic creation paradigm is an open and dynamic paradigm system, which takes "three elements" (objectives) and "four levels" (means) of human-land relations as variables, and gathers ten thousand into one. The aesthetic creation example is the appreciation of the works of descriptive aesthetics.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2014
【分類號】：TU986;P901

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