本文關(guān)鍵詞： 傳統(tǒng)文化 建筑符號(hào) 當(dāng)代 轉(zhuǎn)換　出處：《河南大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：藝術(shù)是人類情感的符號(hào)形式的創(chuàng)造。中國(guó)的傳統(tǒng)建筑文化在發(fā)展的過(guò)程中一直受到政治、地理、經(jīng)濟(jì)等因素的影響，因此形成了我國(guó)不同于世界上其他任何國(guó)家的藝術(shù)特色。中國(guó)傳統(tǒng)建筑文化是可以代表中國(guó)博大精神的文化歷史特征，并且可以傳遞我國(guó)歷史文脈的事物。無(wú)論是從城市的整體層面來(lái)看，還是從城市與山水的空間關(guān)系，又或者是城市的肌理輪廓，這些都可以看作為建筑符號(hào)將其進(jìn)行表達(dá)。那么從中國(guó)傳統(tǒng)建筑來(lái)看，中國(guó)傳統(tǒng)建筑的細(xì)部構(gòu)件、構(gòu)架、意境等等都可以作為傳統(tǒng)建筑符號(hào)來(lái)表述其信息，并在當(dāng)今的建筑及其環(huán)境設(shè)計(jì)領(lǐng)域彰顯獨(dú)特的視覺(jué)語(yǔ)言。 然而，在當(dāng)今的城市建筑環(huán)境設(shè)計(jì)中，大量出現(xiàn)的是對(duì)中國(guó)傳統(tǒng)建筑符號(hào)的簡(jiǎn)單復(fù)制，或者說(shuō)是仿造的“古建筑”，缺乏當(dāng)代性的審美語(yǔ)言表述。借以傳統(tǒng)建筑語(yǔ)言而設(shè)計(jì)的當(dāng)代建筑形態(tài)，，需要賦予時(shí)代的審美內(nèi)涵，使其具備當(dāng)代性，這是中國(guó)傳統(tǒng)建筑藝術(shù)傳承之道之根本。因此，在現(xiàn)代城市的發(fā)展規(guī)劃中，如何將傳統(tǒng)建筑符號(hào)進(jìn)行概況提煉并融入到在當(dāng)代建筑設(shè)計(jì)的語(yǔ)言之中，是本文研究的重點(diǎn)。 本文從當(dāng)代經(jīng)濟(jì)、文化全球化的大背景入手，剖析我國(guó)城市發(fā)展中建筑所存在的問(wèn)題，然后從三個(gè)層面對(duì)我國(guó)傳統(tǒng)建筑文化特質(zhì)進(jìn)行分析，結(jié)合現(xiàn)有的國(guó)內(nèi)外研究理論和大量的實(shí)踐案例進(jìn)行深入研究，試圖總結(jié)出傳統(tǒng)建筑文化與當(dāng)代審美文化相觀照，與現(xiàn)代科技及構(gòu)建材料相結(jié)合，立足當(dāng)代建筑藝術(shù)的本體語(yǔ)言，尋求傳統(tǒng)與當(dāng)代的結(jié)合點(diǎn)，力求探尋新的建筑設(shè)計(jì)理念與設(shè)計(jì)形態(tài)。 啟示當(dāng)代建筑要重視對(duì)傳統(tǒng)建筑文化精髓的探究，不能一意孤行的追隨西方建筑設(shè)計(jì)風(fēng)格，也不能固步自封的活在傳統(tǒng)的建筑理念之中。要讓傳統(tǒng)和現(xiàn)代相遇、碰撞、結(jié)合。啟示當(dāng)代建筑在擁有當(dāng)代文化精神特征的同時(shí)，要將傳統(tǒng)建筑文化的審美特質(zhì)回歸于當(dāng)代，設(shè)計(jì)出具有本土文化審美的當(dāng)代建筑，為當(dāng)代建筑形態(tài)設(shè)計(jì)提供一定的參考價(jià)值。
[Abstract]:Art is the creation of the symbol form of human emotion. Chinese traditional architectural culture has been affected by political, geographical, economic and other factors in the process of development. Therefore, the Chinese traditional architectural culture is the cultural and historical feature that can represent the spirit of China's great power, which is different from any other country in the world. And can convey the historical context of things, whether from the overall level of the city, or from the city and the spatial relationship between the landscape, or the texture of the city outline. These can be seen as architectural symbols to express it. From the perspective of traditional Chinese architecture, the details of Chinese traditional architecture, frame, artistic conception and so on can be used as traditional architectural symbols to express its information. And in today's architectural and environmental design field to highlight the unique visual language. However, in today's urban architectural environment design, a large number of traditional Chinese architectural symbols are simply copied, or imitation of the "ancient architecture". The contemporary architectural form, which is designed by the traditional architectural language, needs to be endowed with the aesthetic connotation of the times, so that it has the contemporary nature. Therefore, in the development planning of modern cities, how to refine and integrate the traditional architectural symbols into the language of contemporary architectural design. It is the focus of this paper. This article starts with the background of the contemporary economic and cultural globalization, analyzes the problems existing in the construction in the urban development of our country, and then analyzes the characteristics of the traditional architecture culture in China from three aspects. Combined with the existing domestic and foreign research theory and a large number of practical cases to conduct in-depth research, trying to summarize the traditional architectural culture and contemporary aesthetic culture, and modern science and technology and construction materials combined. Based on the Noumenon language of contemporary architectural art, this paper seeks for the combination of tradition and contemporary, and tries to explore new architectural design idea and design form. Enlighten contemporary architecture should pay attention to the essence of traditional architectural culture, can not follow the style of Western architectural design. Also can not live in the traditional architectural concept. Let tradition and modern encounter, collision, combination. Enlighten contemporary architecture in the possession of contemporary cultural spirit characteristics at the same time. It is necessary to return the aesthetic characteristics of traditional architectural culture to the contemporary and to design contemporary architecture with local cultural aesthetics, which provides a certain reference value for the design of contemporary architectural form.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU-0

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本文編號(hào)：1475655