天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

我國電影作品版權(quán)質(zhì)押法律問題研究

發(fā)布時間:2019-06-10 19:45
【摘要】:電影產(chǎn)業(yè)取得快速發(fā)展的關(guān)鍵是突破資金瓶頸,但由于電影企業(yè)大多是輕資產(chǎn)型公司,生產(chǎn)設(shè)備、廠房等固定資產(chǎn)較少,主要是以知識產(chǎn)權(quán)和品牌價值等無形資產(chǎn)作為資產(chǎn)存在的表現(xiàn)形式,因此獲得貸款融資的難度較大。新興的版權(quán)質(zhì)押擔(dān)保貸款方式為電影創(chuàng)作融資難問題開辟了一條新的道路。貸款融資成本遠(yuǎn)低于電影產(chǎn)業(yè)現(xiàn)有的其他融資方式,并從客觀上保護(hù)了電影版權(quán)的獨立性,使企業(yè)能夠獲得持續(xù)發(fā)展的動力。在我國電影產(chǎn)業(yè)的融資需求日益迫切的今天,電影作品版權(quán)質(zhì)押作為重要的融資擔(dān)保方式,理應(yīng)受到廣泛的關(guān)注。然而,我國目前及于電影作品版權(quán)質(zhì)押的特色理論研究,卻顯得較為匱乏,對國外相關(guān)經(jīng)驗的介紹也十分有限。此種情形下,本文認(rèn)為,對電影作品的版權(quán)質(zhì)押進(jìn)行系統(tǒng)研究,則顯得十分必要。 本文第一部分,圍繞電影作品版權(quán)質(zhì)押的理論,對電影作品及其版權(quán)內(nèi)容進(jìn)行了闡述,對電影作品版權(quán)質(zhì)押的概念及特殊性進(jìn)行了研究,從現(xiàn)有立法角度,對電影作品版權(quán)質(zhì)押的法律依據(jù)進(jìn)行了分析。 本文第二部分,將電影作品版權(quán)質(zhì)押這種擔(dān)保融資模式與傳統(tǒng)電影融資模式進(jìn)行了對比,指出以電影作品版權(quán)質(zhì)押進(jìn)行融資擔(dān)保的必要性,同時介紹了目前我國電影作品版權(quán)質(zhì)押的模式,并對其特點進(jìn)行了客觀評析。 本文第三部分,通過介紹我國電影作品版權(quán)質(zhì)押的發(fā)展歷程,研究了我國電影作品版權(quán)質(zhì)押所面臨的困境,并對其困境產(chǎn)生的原因進(jìn)行了深入分析。 本文第四部分,在綜合分析我國電影作品版權(quán)質(zhì)押所面臨的各個困境的基礎(chǔ)上,通過對美國電影作品發(fā)行預(yù)售融資模式進(jìn)行評析,指出其對我國的借鑒意義。同時,又從相關(guān)法律規(guī)范、抑制電影作品版權(quán)質(zhì)押風(fēng)險來源、完善風(fēng)險分散機(jī)制的角度,提出了完善電影作品版權(quán)質(zhì)押相關(guān)制度的建議。
[Abstract]:The key to the rapid development of the film industry is to break through the bottleneck of funds, but because most of the film enterprises are light asset companies, production equipment, factory buildings and other fixed assets are relatively small. It is mainly based on intangible assets such as intellectual property rights and brand value as the manifestation of assets, so it is difficult to obtain loan financing. The new way of copyright pledge guarantee loan has opened up a new way for the financing of film creation. The cost of loan financing is much lower than that of other financing methods in the film industry, and objectively protects the independence of film copyright, so that enterprises can obtain the motive force of sustainable development. Nowadays, the financing demand of film industry in our country is becoming more and more urgent. As an important way of financing guarantee, copyright pledge of film works should be paid more and more attention. However, at present, the theoretical research on the characteristics of copyright pledge of film works in our country is relatively scarce, and the introduction of relevant experience abroad is also very limited. In this case, this paper holds that it is very necessary to systematically study the copyright pledge of film works. In the first part of this paper, focusing on the theory of copyright pledge of film works, this paper expounds the film works and their copyright content, studies the concept and particularity of copyright pledge of film works, and studies the concept and particularity of copyright pledge of film works from the angle of existing legislation. This paper analyzes the legal basis of copyright pledge of film works. In the second part of this paper, the guarantee financing mode of copyright pledge of film works is compared with the traditional film financing mode, and the necessity of financing guarantee by copyright pledge of film works is pointed out. At the same time, this paper introduces the current mode of copyright pledge of film works in China, and objectively comments on its characteristics. In the third part of this paper, by introducing the development course of copyright pledge of film works in our country, this paper studies the predicament faced by copyright pledge of film works in our country, and makes a deep analysis of the causes of its predicament. In the fourth part of this paper, based on the comprehensive analysis of the difficulties faced by the copyright pledge of film works in our country, this paper analyzes the financing mode of the distribution and pre-sale of American film works, and points out its reference significance to our country. At the same time, from the point of view of relevant legal norms, restraining the source of copyright pledge risk of film works and perfecting the risk dispersion mechanism, this paper puts forward some suggestions on perfecting the related system of copyright pledge of film works.
【學(xué)位授予單位】:大連海事大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:D923.41

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 胡開忠;;試論完善我國知識產(chǎn)權(quán)質(zhì)權(quán)制度的若干途徑[J];安徽大學(xué)法律評論;2002年02期

2 王遷;;“電影作品”的重新定義及其著作權(quán)歸屬與行使規(guī)則的完善[J];法學(xué);2008年04期

3 郭鵬;;設(shè)立著作權(quán)轉(zhuǎn)讓登記對抗制度的必要性——以著作權(quán)質(zhì)押融資為視角[J];法制與經(jīng)濟(jì)(下旬刊);2009年12期

4 鄧映霞;中國電影業(yè)能移植好萊塢融資模式嗎[J];國際融資;2004年02期

5 安雪梅;李秋燕;;美國影視作品著作權(quán)擔(dān)保融資制度的新發(fā)展[J];時代法學(xué);2013年06期

6 張輝鋒;宋穎穎;;電影版權(quán)評估指標(biāo)體系新探[J];青年記者;2011年07期

7 于孝建;任兆璋;;我國文化產(chǎn)業(yè)金融創(chuàng)新方式分析[J];上海金融;2011年06期

8 趙英;;我國物權(quán)法中權(quán)利質(zhì)權(quán)的公示問題[J];山西省政法管理干部學(xué)院學(xué)報;2009年01期

9 謝黎偉;;著作權(quán)質(zhì)押的困境和出路[J];現(xiàn)代法學(xué);2010年06期

10 張耕;唐弦;;我國著作權(quán)質(zhì)押制度探析[J];西南政法大學(xué)學(xué)報;2003年03期

相關(guān)博士學(xué)位論文 前1條

1 林華;著作權(quán)轉(zhuǎn)移規(guī)則研究[D];中國社會科學(xué)院研究生院;2012年



本文編號:2496685

資料下載
論文發(fā)表

本文鏈接:http://sikaile.net/falvlunwen/zhishichanquanfa/2496685.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶7918f***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com