【摘要】：動漫產(chǎn)業(yè)作為朝陽產(chǎn)業(yè),在世界范圍內(nèi)發(fā)展的如火如荼,已經(jīng)發(fā)展成為國家軟實力中重要的一方面。因此,動漫產(chǎn)業(yè)所依存的版權(quán)等知識產(chǎn)權(quán)問題變得尤為重要,而其中之動漫角色作為動漫產(chǎn)業(yè)的載體和靈魂,其文學(xué)意義和商業(yè)價值愈加突出,伴隨而至的法律問題也日益突出。由于世界其他國家對動漫產(chǎn)業(yè)的法律研究不一而足,而我國動漫產(chǎn)業(yè)發(fā)展滯后,故我國在動漫角色法律研究方面仍處在摸索階段。蓬勃發(fā)展的動漫產(chǎn)業(yè)迫切要求動漫角色法律保護不斷完善,而對其加強版權(quán)保護勢在必行。 本文采用文獻研究法著手開始研究動漫角色版權(quán)這一課題,通過調(diào)查多種文獻獲得全面而系統(tǒng)的資料,了解動漫角色版權(quán)保護的歷史和現(xiàn)狀。將動漫角色相關(guān)內(nèi)涵和外延進行界定,從而為其法律問題的研究圈定了基本框架；通過比較研究的分析方法,歸納總結(jié)出各國對待動漫角色版權(quán)保護這一問題立法和司法的態(tài)度及其發(fā)展趨勢；再通過個案分析方法和經(jīng)驗總結(jié)的方法,對動漫角色侵權(quán)認定的實體和程序問題進行系統(tǒng)的研究和論述,著重從司法角度對動漫角色版權(quán)問題進行全方位的保護,其獨創(chuàng)性有如下幾方面：第一,創(chuàng)造性的對動漫角色可版權(quán)性在內(nèi)涵(如,人格特征等)和外延(如,相似性形象等)上進行了系統(tǒng)的界定；第二,從動漫角色之構(gòu)成要素入手,解構(gòu)動漫角色之思想與表達；第三,將“三段論”之侵權(quán)認定方法歸納演繹為動漫角色版權(quán)保護案件所用,將動漫角色侵權(quán)認定之程序具體、明確、系統(tǒng)；第四,對動漫角色之侵權(quán)抗辯進行歸納,從另一方面對動漫角色之版權(quán)保護進行研究。
[Abstract]:Animation industry as a sunrise industry, in the world-wide development in full swing, has developed into an important aspect of national soft power. Therefore, the intellectual property issues, such as copyright, which the animation industry depends on, have become particularly important. As the carrier and soul of the animation industry, the role of the animation industry has become increasingly prominent in its literary significance and commercial value. The accompanying legal problems are also becoming increasingly prominent. Because other countries in the world study the animation industry, but the development of China's animation industry lags behind, our country is still in the groping stage in the legal research of animation characters. The vigorous development of the animation industry urgently requires the legal protection of animation characters to be improved constantly, and it is imperative to strengthen the copyright protection. This paper begins to study the subject of copyright of animation characters by literature research, and obtains comprehensive and systematic information by investigating various documents to understand the history and present situation of copyright protection of cartoon characters. The connotation and extension of animation characters are defined, so as to define the basic framework for the study of its legal issues; through the comparative study of the analytical method, Summarized the attitude of the countries to the copyright protection of animation characters and their development trend; then through the case analysis method and the method of summing up experience, This paper systematically studies and discusses the entity and procedure of the infringement of animation characters, and focuses on the all-around protection of copyright of animation characters from the judicial point of view. The originality of the problems is as follows: first, The creative definition of the copyright of animation characters is made on the connotation (such as personality characteristics) and extension (such as similar image etc.). Second, it deconstructs the ideas and expressions of animation characters from the basic elements of animation characters. Third, the "syllogism" of the tort identification method deduces to the role of animation copyright protection cases used, the animation role infringement of the specific, clear, system; fourth, the animation character infringement defense induction, On the other hand, the copyright protection of animation characters is studied.
【學(xué)位授予單位】：北方工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：D923.4

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