本文選題：婚姻自由 + 生活世界��； 參考：《上海文化》2016年06期

【摘要】：羅漢錢常用作愛情信物,作者試圖打開這個(gè)以新舊羅漢錢串起兩代人命運(yùn)的通俗故事,即從1950年趙樹理為宣傳婚姻法創(chuàng)作的評書體小說《登記》,到地方戲中移植較早、影響較大的滬劇《羅漢錢》,再到全國公映、深入人心的同名戲曲片,梳理和探析新中國大眾文藝實(shí)踐內(nèi)外的激進(jìn)政治及其在生活世界中展開的"細(xì)膩革命",理解并反思以婚姻自由為表征的社會(huì)變革及其文藝改造中有關(guān)移風(fēng)易俗的文化想象和歷史影響。
[Abstract]:Laohanqian is often used as a love token. The author tries to open up this popular story of the fate of two generations strung up by old and new Luo Hanqian, that is, the novel "Registration", written by Zhao Shuli in 1950 to publicize the Marriage Law, was transplanted early in local plays. The influential Shanghai drama, "Luo Han Qian," went to the national release of the drama film of the same name, which was deeply popular. To sort out and analyze the radical politics inside and outside the practice of mass literature and art in New China and its "delicate revolution" in the world of life, to understand and reflect on the social changes and the changes in customs in the transformation of literature and art characterized by the freedom of marriage. Cultural imagination and historical influence.
【作者單位】： 上海社會(huì)科學(xué)院文學(xué)研究所;
【分類號】：I206.7;C913.1

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本文編號：2008059