本文選題：著作權(quán) + 管理信息�。� 參考：《中國(guó)政法大學(xué)》2009年碩士論文

【摘要】： 著作權(quán)制度是為保護(hù)文學(xué)作品或藝術(shù)作品的作者,并使其對(duì)文化發(fā)展做出貢獻(xiàn)而設(shè)立的制度。所謂著作,就是文學(xué)學(xué)術(shù)范圍內(nèi)的或是藝術(shù)范圍內(nèi)的作品,包括小說(shuō)、詩(shī)篇、論文等語(yǔ)言作品;用聲音表現(xiàn)的音樂(lè)作品;戲劇以及舞蹈和無(wú)言劇;以形象或色彩來(lái)表現(xiàn)的美術(shù)作品、建筑物、建筑模型以及設(shè)計(jì)圖;以一定的影像來(lái)表現(xiàn)的攝影作品;用連續(xù)的影像收錄的創(chuàng)作品—影視作品,還有電腦程序作品和歸類于二次性作品的特殊作品。 科學(xué)技術(shù)的發(fā)展擴(kuò)大了著作權(quán)法的范圍,也給著作權(quán)法的發(fā)展賦予了極大的動(dòng)力。但有時(shí)會(huì)發(fā)生著作權(quán)法無(wú)法跟上科技發(fā)展步伐的現(xiàn)象,網(wǎng)絡(luò)就屬于這個(gè)范圍。用數(shù)字技術(shù)來(lái)復(fù)制、存儲(chǔ)、修改、發(fā)行創(chuàng)意性作品的方法發(fā)生了根本性的變化。這些技術(shù)對(duì)著作權(quán)法的挑戰(zhàn),是舊技術(shù)無(wú)法比擬的。也就是說(shuō),在如今的數(shù)字科技環(huán)境中,作品通過(guò)通訊網(wǎng)絡(luò)傳播是沒(méi)有國(guó)界障礙的,只要有電腦,其內(nèi)容就會(huì)被復(fù)制的一模一樣。尤其是用電腦復(fù)制時(shí),相比較舊有的復(fù)制方法,其復(fù)制時(shí)間更短,復(fù)制費(fèi)用更低,復(fù)制質(zhì)量更高。傳播方法變得簡(jiǎn)便又廣泛,而不法復(fù)制品在全世界的泛濫更加明顯了,結(jié)果導(dǎo)致了權(quán)利者和利用者之間的矛盾激烈化的現(xiàn)象。電腦技術(shù)和通訊技術(shù)的發(fā)展使信息的傳播和共享更加簡(jiǎn)便,而且電腦技術(shù)和通訊技術(shù)已經(jīng)開(kāi)始打破了向作者的動(dòng)機(jī)賦予作用和一般人接近著作可能性之間的均衡。所以,要想維持這種均衡,現(xiàn)行著作權(quán)法要適當(dāng)?shù)倪m應(yīng)技術(shù)上的變化。 數(shù)字環(huán)境下的著作權(quán)法要有效的保護(hù)電腦形式的著作,同時(shí)著作的利用者也要在不侵犯著作權(quán)的前提下來(lái)利用著作。著作權(quán)法要對(duì)應(yīng)不斷進(jìn)步的技術(shù)發(fā)展,適應(yīng)數(shù)字時(shí)代,使數(shù)字網(wǎng)絡(luò)成為著作流通和利用的安全地帶,為著作的開(kāi)放市場(chǎng)形成提供條件,構(gòu)建出利用者享受電腦著作的環(huán)境。在數(shù)字環(huán)境下,對(duì)著作的保護(hù)主要體現(xiàn)在:怎樣在一般人利用著作的公益目的和為著作的創(chuàng)造提供動(dòng)機(jī)的私人目的之間進(jìn)行調(diào)解。這些問(wèn)題決定著網(wǎng)絡(luò)在今后是否能持續(xù)發(fā)展,也是在數(shù)字環(huán)境下制定關(guān)于是否擴(kuò)大著作權(quán)的法案之前必須考慮的事項(xiàng)。而且,為了達(dá)到利用著作來(lái)給文化的向上發(fā)展作貢獻(xiàn)的目的,構(gòu)筑綜合性的著作權(quán)信息管理系統(tǒng),使出版社、廣告制作者、目錄制作者等著作利用者所需的龐大的著作權(quán)信息,可以通過(guò)一個(gè)窗口來(lái)綜合的提供,繼而改善現(xiàn)存的利用方式,被積壓的信息轉(zhuǎn)換成綜合性信息,優(yōu)秀的著作作品被埋葬或無(wú)端禁止的事情不再發(fā)生,并創(chuàng)出新的市場(chǎng)需要,對(duì)電腦作品的著作權(quán)管理信息以及著作權(quán)的集中管理是非常有必要的。正是由于網(wǎng)絡(luò)環(huán)境下的著作權(quán)保護(hù)面臨許多新問(wèn)題,因此,本文選擇這一題目進(jìn)行研究,尤其是對(duì)韓國(guó)的網(wǎng)絡(luò)著作權(quán)保護(hù)問(wèn)題進(jìn)行分析,以期對(duì)中國(guó)有所借鑒。 本文主要由以下部分組成: 第一章,主要介紹了現(xiàn)行著作權(quán)制度的一般內(nèi)容,講述了著作權(quán)制度的沿革和著作權(quán)制度的目的、定義、一般著作物、作者的權(quán)利以及對(duì)著作權(quán)侵害的救濟(jì)內(nèi)容。 第二章,主要介紹了與現(xiàn)存作品不同的、數(shù)字環(huán)境下的著作權(quán);數(shù)字技術(shù)、數(shù)字作品的特征、數(shù)字時(shí)代的作品類型和侵害等內(nèi)容。 第三章是關(guān)于數(shù)字技術(shù)和互聯(lián)網(wǎng)的,首先這里以MP3為例,介紹了MP3的概念,MP3對(duì)音樂(lè)著作物發(fā)布的影響,然后具體分析了一個(gè)典型案例即有關(guān)MP3文件的糾紛-美國(guó)Napster案與Soribada(韓國(guó)一個(gè)著名的音樂(lè)網(wǎng)站);第二部分由此案件引申出有關(guān)對(duì)網(wǎng)絡(luò)中的“鏈接”及“框架”問(wèn)題的思考,一是“鏈接”及“框架”的著作權(quán)法中存在的問(wèn)題,二是“鏈接”及“框架”在著作權(quán)法中的考慮事項(xiàng)。 第四章主要講述了對(duì)數(shù)字時(shí)代著作權(quán)的保護(hù)方案、著作權(quán)的管理信息、技術(shù)上的保護(hù)措施、有關(guān)public domain的問(wèn)題、提供開(kāi)放服務(wù)的提供者對(duì)著作權(quán)侵害的責(zé)任、開(kāi)放服務(wù)提供者的自由表現(xiàn)和問(wèn)題、對(duì)數(shù)字作品保護(hù)的國(guó)際動(dòng)向以及韓國(guó)在數(shù)字環(huán)境下改善著作權(quán)法的內(nèi)容。 最后在第五章,根據(jù)上述四章的內(nèi)容,提出了數(shù)字環(huán)境下的關(guān)于著作權(quán)保護(hù)的改善方案。
[Abstract]:The copyright system is a system set up to protect literary or artistic works and make contributions to the development of culture. The so-called works are works within the scope of literature or in the scope of art, including novels, poems, papers, and other works of language; music works with sound sound; drama and dance and speechless drama; Art works, buildings, architectural models, and design drawings in image or color; photographic works of a certain image; works of film and television included in continuous images, computer programs, and special works classified in two sex works.
The development of science and technology expands the scope of copyright law and gives great impetus to the development of copyright law. But sometimes the copyright law can not keep up with the pace of scientific and technological development. The network belongs to this scope. The method of copying, storing, modifying and sending creative works with digital technology has changed radically. The challenge of these technologies to copyright law is incomparable to the old technology. In other words, in today's digital technology environment, there is no boundary barrier to the communication through communication network. As long as there is a computer, the content will be replicated. Especially when the computer is reproduced, the replicating time is compared. Shorter, lower duplication costs, higher duplication quality, easier and more extensive dissemination methods, and the spread of non legal replicas in the world is more obvious, resulting in the intensification of contradictions between the rights holders and the users. The development of computer technology and communication technology makes the communication and sharing of information easier, and computer Technology And communication technology has begun to break the balance between the role of the author's motivation and the possibility that the general person is close to the work. So, in order to maintain this equilibrium, the current copyright law should be properly adapted to the technical changes.
The copyright law under the digital environment should effectively protect the work of the computer form. At the same time, the copyright owners should make use of the works without infringing the copyright. The copyright law should correspond to the progressive technological development, adapt to the digital age, make the digital network a safe zone for the work and use of the works, and open the market for the work. In the digital environment, the protection of the works is mainly reflected in how to mediate between the general people and the personal purpose of providing the motive for the creation of the work. These questions determine whether the network can continue to develop in the future, but also in the future. In the digital environment, it must be considered before the bill to expand the copyright. In addition, in order to make use of the work to contribute to the upward development of the culture, a comprehensive copyright information management system is constructed to make the publishers, advertising producers, catalogers, and so on the huge copyright required. Information can be provided by a comprehensive window, and then improving the existing ways of using it, transforming the accumulated information into comprehensive information. The outstanding works are buried or no end is no longer happening, and the new market needs are created. The management information of the copyright and the centralized management of the copyright of the computer works are not. It is often necessary that the copyright protection under the network environment is faced with many new problems. Therefore, this paper chooses this topic to study, especially the analysis of the protection of network copyright in Korea, in order to draw lessons from China.
This article is mainly composed of the following parts:
The first chapter introduces the general content of the current copyright system, and describes the evolution of the copyright system and the purpose of the copyright system, the definition, the general works, the rights of the author and the relief content of the copyright infringement.
The second chapter mainly introduces the copyright in the digital environment, which is different from the existing works, the digital technology, the characteristics of the digital works, the types of works in the digital age and the content of the infringement.
The third chapter is about digital technology and the Internet. First of all, this paper, taking MP3 as an example, introduces the concept of MP3, the influence of MP3 on the publication of musical crops, and then analyzes a typical case, the dispute about the MP3 file, the American Napster case and Soribada (a famous music website in Korea), and the second part of the case extended the related case. Thinking about the "link" and "frame" in the network, one is the existing problems in the copyright law of "link" and "frame". Two is the consideration of "link" and "frame" in copyright law.
The fourth chapter mainly describes the protection scheme of copyright in the digital age, the management information of copyright, the technical protection measures, the problems concerning the public domain, the responsibility for the copyright infringement of the open service providers, the free performance and questions of the open service providers, the international trends in the protection of digital works and the South Korea The content of copyright law is improved in the digital environment.
Finally, in the fifth chapter, according to the contents of the above four chapters, the improvement plan of copyright protection in digital environment is proposed.
【學(xué)位授予單位】：中國(guó)政法大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：D931.26;DD913

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