本文選題：漢代　切入點(diǎn)：燈具　出處：《復(fù)旦大學(xué)》2012年博士論文　論文類型：學(xué)位論文

【摘要】：燈具是人們?nèi)粘Ｉ睢⑸a(chǎn)勞動(dòng)中廣泛使用的器具。中國古代的燈具肇始于何時(shí)尚無定論,從考古發(fā)現(xiàn)情況看,可能早到新石器時(shí)代。燈具是人類不斷改善生產(chǎn)、生活條件的產(chǎn)物,它的產(chǎn)生除了是當(dāng)時(shí)的物質(zhì)形態(tài)改變外,還凝結(jié)了人類的智慧和技術(shù)。燈具的制作、使用、廢棄過程,除了是一件物體的產(chǎn)生、發(fā)展和消亡的物質(zhì)反應(yīng)外,大都凝聚著人們的思想觀念,成為人們觀念形態(tài)的反映,深深地烙印著人類的精神文化。一言以蔽之,燈具即是一種物質(zhì)文化的形態(tài),又是一種精神文化的反映。 本文以史學(xué)界斷代的公元前206年-公元220年為時(shí)間范疇,以全國范圍為地理范圍,對(duì)漢代燈具展開分析、研究。第一章緒論主要梳理了國內(nèi)外關(guān)于漢代燈具成果,并對(duì)本文將要開展的漢代燈具研究的主要內(nèi)容、研究路徑、研究方法等進(jìn)行了梳理。 本文第二章和第三章,采用考古類型學(xué)方法,通過比較和分類的手段,借用圖表等形式,以國內(nèi)目前出土的漢代燈具作為對(duì)象,進(jìn)行比較系統(tǒng)的分期、分區(qū)研究,建立起比較完整的漢代燈具的時(shí)空框架。這一框架的建立,有助于加強(qiáng)對(duì)漢代物質(zhì)文化的總體認(rèn)識(shí),有助于了解漢代燈具在中國燈具史上的地位和作用；燈具的類型研究和時(shí)空框架的建立,有助于了解燈具發(fā)展的源流和興衰變化過程,可為傳世燈具或新出土燈具提供斷代、辨?zhèn)魏脱芯康囊罁?jù)。 本文第四章采用統(tǒng)計(jì)、對(duì)比的方法,總結(jié)、解析燈具數(shù)量、材質(zhì)、高度、燈盤尺寸、結(jié)構(gòu),以定量的方式來探討漢代燈具的使用規(guī)律、使用場所,并闡釋其原因或動(dòng)力。通過考古出土組合分析、器物銘文、古代文獻(xiàn)、畫像磚、畫像石等資料梳理,探討燈具的使用者、使用方式、流通模式等問題,復(fù)原燈具在漢代社會(huì)日常生活中所承擔(dān)的重要角色,揭示漢代燈具的社會(huì)化、商品化特征,解讀燈具在漢代人們的信仰、祭祀等方面的象征意義。通過對(duì)漢代燈具所包含的社會(huì)文化內(nèi)涵的剖析,有助于明晰漢代燈具在社會(huì)生活中所承擔(dān)的角色及其重要性,更有助于加強(qiáng)對(duì)漢代人們生活方式的了解。 本文第五章對(duì)漢代燈具的四大價(jià)值進(jìn)行研究。本章采用考古學(xué)和文獻(xiàn)學(xué)資料,從燈具的造型設(shè)計(jì)、生產(chǎn)技術(shù)水平、社會(huì)管理體系等角度出發(fā),探討漢代燈具的藝術(shù)、科技、社會(huì)人文價(jià)值和學(xué)術(shù)價(jià)值。在完成關(guān)于燈具探討的基礎(chǔ)上,本文最后從完善文物學(xué)研究的角度,探討了文物四大價(jià)值之間的關(guān)系。
[Abstract]:Lamps and lanterns are widely used in people's daily life and production. When the lamps and lanterns of ancient China began to be decided, from the archaeological discovery situation, it may come as early as the Neolithic Age. Lamps and lanterns are constantly improved and produced by human beings. The product of living conditions, in addition to the change of material form at that time, it also condensed the wisdom and technology of mankind. The process of making, using and disusing lamps and lanterns, in addition to the material reaction of the production, development and extinction of an object, Most of them condense people's ideas, become the reflection of people's idealistic form, and deeply imprint the spiritual culture of mankind. In a word, lamps and lanterns are not only a form of material culture, but also a reflection of spiritual culture. This paper takes 206 BC-220 AD as the time category and the whole country as the geographical scope to analyze and study the lamps and lanterns of the Han Dynasty. The first chapter introduces the achievements of the lamps and lanterns of the Han Dynasty at home and abroad. The main contents, research path and research methods of the Han Dynasty lamps and lanterns will be studied in this paper. In the second and third chapters, by means of archaeological typology, by means of comparison and classification, and in the form of charts and charts, this paper takes the lamps and lanterns of the Han Dynasty which are currently unearthed in China as the object, carries on comparatively systematic research on the stages and districts of the lamps and lanterns unearthed in China. The establishment of this framework is helpful to strengthen the overall understanding of the material culture of the Han Dynasty and to understand the position and role of the lamps and lanterns of the Han Dynasty in the history of Chinese lamps and lanterns. The study on the type of lamps and the establishment of space-time frame are helpful to understand the source of lamp development, the process of rise and fall, and provide the basis for the generation, identification and research of the generation of lamps and lanterns or newly unearthed lamps and lanterns. This article 4th chapter uses the statistics, the contrast method, summarizes, analyzes the luminaire quantity, the material, the height, the lamp disk size, the structure, discusses the Han Dynasty lamps and lanterns by the quantitative way the use law, the use place, And explain its cause or motive force. Through archaeological unearthed combination analysis, inscriptions of objects, ancient documents, portrait bricks, stone relief and other data combing, discusses the lighting users, use methods, circulation patterns and other issues, The restoration of lamps and lanterns plays an important role in the daily life of the Han Dynasty, reveals the socialization and commercialization characteristics of the lamps and lanterns of the Han Dynasty, and interprets the beliefs of the lamps and lanterns in the Han Dynasty. Through the analysis of the social and cultural connotation of the lamps and lanterns in the Han Dynasty, it is helpful to clarify the role and importance of the lamps and lanterns in the social life of the Han Dynasty. It is helpful to strengthen the understanding of the way of life of people in Han Dynasty. Chapter 5th studies the four values of lamps and lanterns in the Han Dynasty. This chapter uses archaeological and documentary materials to discuss the art and technology of lamps and lanterns in the Han Dynasty from the aspects of modeling design, production technology level, social management system, etc. On the basis of the discussion on lamps and lanterns, this paper finally discusses the relationship between the four values of cultural relics from the perspective of perfecting the study of cultural relics.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2012
【分類號(hào)】：K875.2

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本文編號(hào)：1630533