時尚消費的傳播心理研究
[Abstract]:When Chinese society entered the era of highly developed material civilization, consumer culture gradually replaced the traditional thrift culture, and consumerism gradually gained the upper hand. The influence of western consumerism and the large-scale entry of major fashion brands in the world provide the possibility for the fashion consumption which is becoming more and more popular in China. People continue to invest in material fashion consumption in food, clothing, housing and transportation, in order to meet the desire for innovation and difference or to seek identity? People go and go to cinemas frequently, art exhibitions carry out cultural fashion consumption, is it to catch up with the fashion trend or really out of the love of culture? In this society characterized by "excess products", consumers pursue different fashion trends, aesthetics, social interaction, showing off, seeking common ground and seeking new ideas through different levels of fashion consumption. Psychological motivation such as seeking difference is intricate and intertwined in the hearts of consumers. As the basis of all social information activities, communication itself is human social and psychological activities. The author hopes that through the psychological analysis of mass communication, group and organization communication, interpersonal and intra-person communication of fashion consumption, the different psychological characteristics of consumers in different communication situations can be obtained. In order to promote the healthy and orderly development of socialist market economy, and advocate consumers to establish a scientific and healthy socialist consumption concept, standardize personal consumption behavior, improve personal quality, and achieve personal free and all-round development. In this study, any special consumption behavior (time, attention and money) that embodies consumer power, status, taste or hobby and causes quite a lot of people to pursue it in a certain period of time is defined as fashion consumption. In the first chapter of this paper, fashion consumption and communication work together. The author not only summarizes the similarities and differences of fashion consumption at the level of utensils, behavior and ideas, but also focuses on explaining that fashion consumption is chosen by class consciousness to the public in the process of communication. The transformation from external confrontation to self-pleasure. The second chapter to the fourth chapter mainly discusses the different psychological characteristics of fashion consumption under the five communication types: mass communication, group and organization communication, interpersonal communication and intra-person communication. From the perspective of mass communication, the credibility and popularity of the media, the needs of consumers and the diffusion of fashion consumption innovation are all important factors that affect the behavior of mass consumption. At the level of group and organizational communication, the author selects the three "susceptible groups" of rich class, female group and youth group, as well as sports organizations and public welfare organizations, in interpersonal and intra-person research. The author chooses the angle of opinion leader and the general public, and obtains the different psychological characteristics of consumers in different situations. The fifth chapter of this paper analyzes the communication psychology of fashion consumption from the aesthetic and philosophical point of view, the important place of fashion consumption-the color, light, material and other elements of shopping malls, as well as the design, packaging, placement and other elements of fashion consumer goods. Both have a great impact on the aesthetic experience of consumers. In the process of communication, fashion consumption also satisfies consumers' pursuit of universality and particularity and the philosophical psychology of seeking inner balance. In the sixth chapter, according to some case studies on fashion consumption, the author draws the conclusion that domestic consumers have the psychological characteristics of the coexistence of hedonism and thrift, the coexistence of aestheticism and pragmatism, the aggravation of the emotion of liking the new and the old, and so on. At present, the popular body consumption is the product of the combination of consumer concept and demand. At the same time, with the large-scale spread of fashion consumption, its negative impact begins to appear, the green movement of fashion consumption will be the development trend of fashion consumption in the future.
【學位授予單位】:山東大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:G206
【參考文獻】
相關期刊論文 前10條
1 孔令順;;時尚傳播:身份的體認與學科的拓展[J];現(xiàn)代傳播(中國傳媒大學學報);2016年12期
2 王梅芳;程沛;;時尚傳播的“日常生活”演變及未來[J];當代傳播;2015年04期
3 徐鍵;崔文增;;商場節(jié)慶美陳設計中的視覺營銷原理[J];美與時代(上);2015年03期
4 張曉莉;;廣場舞鍛煉與中老年婦女幸福感相關研究[J];廣州體育學院學報;2014年06期
5 蘇狀;;聚焦時尚傳播 創(chuàng)新學科領域——“東華大學時尚傳播研究中心主題研討會”綜述[J];新聞記者;2013年08期
6 王瑾;;自我認同與社會認同:時尚文化心理對時尚消費行為影響實證研究[J];蘭州學刊;2010年11期
7 甘俊;肖子拾;;對奢侈品消費的心理分析與探討[J];湖南農(nóng)機;2007年03期
8 王瑾;;時尚中國,時尚生活[J];市場研究;2007年01期
9 鄭也夫;;論時尚[J];浙江社會科學;2006年02期
10 秦勇;中國當下歷史消費主義的出場[J];社會科學;2005年07期
相關碩士學位論文 前7條
1 趙詩凝;城市廣場舞:從傳播儀式到群體認同[D];南京大學;2016年
2 林X;都市青年女性時尚消費中意見領袖的傳播影響力研究[D];華中農(nóng)業(yè)大學;2010年
3 陳曦;購物中心,現(xiàn)代消費的符號美學[D];暨南大學;2010年
4 陳易佳;時裝工業(yè)的營銷傳播研究[D];復旦大學;2008年
5 謝萍萍;媒介接觸對青年女性時尚消費的影響研究[D];南昌大學;2007年
6 劉惠玲;現(xiàn)代高級商場展示設計與展柜、展臺設計的研究[D];南京林業(yè)大學;2005年
7 邵文艷;經(jīng)營流行——對服飾流行傳播的研究[D];東華大學;2004年
,本文編號:2479597
本文鏈接:http://sikaile.net/xinwenchuanbolunwen/2479597.html