發(fā)布時間：2019-01-07 15:33

【摘要】：正"長久以來,學(xué)者只是聚焦文本藝術(shù)內(nèi)外的意義,而忽視了文本內(nèi)外的邊框,這才是對文本起著決定意義的結(jié)構(gòu)。"~①以景觀建構(gòu)元素而產(chǎn)生的屏幕作為一種時空符號,其傳播引導(dǎo)的實踐作用在媒介本體、現(xiàn)代性構(gòu)建中都具有著可探究的意義空間。尤其是電子時代以來,以屏幕為"元媒介"在現(xiàn)代性轉(zhuǎn)化中呈現(xiàn)了超越傳播載體的獨特意義。一、本體邏輯:價值與表征的視覺合圍從古希臘時期起,視覺和圖像就成為了西方文明的核心
[Abstract]:"for a long time, scholars have only focused on the meaning inside and outside the text art, while ignoring the frame inside and outside the text, which is the structure that determines the meaning of the text." ~ 1 takes the screen produced by the landscape construction element as a space-time symbol. The practical role of its dissemination and guidance in the media ontology, modernity construction has a meaningful space to explore. Especially since the electronic age, the screen as the "meta media" in the transformation of modernity presents the unique significance of surpassing the carrier of communication. First, Noumenon Logic: the Visual combination of value and representation since ancient Greece, vision and image have become the core of Western civilization
【作者單位】： 南京大學(xué)新聞傳播學(xué)院;成都大學(xué)美術(shù)與影視學(xué)院;
【分類號】：G206
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本文編號：2403824