本文選題：人文精神 + 《遠(yuǎn)方的家》��； 參考：《曲阜師范大學(xué)》2017年碩士論文

【摘要】：隨著社會(huì)經(jīng)濟(jì)和旅游業(yè)的不斷發(fā)展,旅游地理類(lèi)電視節(jié)目應(yīng)運(yùn)而生,從最初的生活服務(wù)類(lèi)發(fā)展到今天的旅游地理類(lèi)電視節(jié)目,節(jié)目的內(nèi)容和題材不斷豐富,但大多數(shù)旅游類(lèi)電視節(jié)目已跟不上電視產(chǎn)業(yè)化和專(zhuān)業(yè)化的發(fā)展速度,形式和內(nèi)容趨向同質(zhì)化和商業(yè)化,缺乏內(nèi)涵和新意,節(jié)目質(zhì)量不高�！哆h(yuǎn)方的家》和《行者》的播出得到了觀眾的一致好評(píng),收視率位居榜首。截止到2016年8月,《遠(yuǎn)方的家》已播出了六個(gè)系列,以家國(guó)情懷為主題,采用記者行走加體驗(yàn)的方式描述了祖國(guó)各地的自然風(fēng)光、人文景觀,挖掘百姓故事,展現(xiàn)百姓生活變遷,是一部齊全的華夏文明影像志�！缎姓摺窂�2004年開(kāi)播以來(lái),就以“戶外探險(xiǎn)、生態(tài)環(huán)保、地理風(fēng)情”為主題,題材和內(nèi)容擴(kuò)展到全世界的異國(guó)風(fēng)情,以行者個(gè)人的視角去講述發(fā)生在旅途中的故事或者個(gè)人事跡,具有深厚的人文精神。本文是筆者在對(duì)這兩檔節(jié)目進(jìn)行了大量觀看的基礎(chǔ)上,閱讀許多關(guān)于敘事學(xué)理論、旅游類(lèi)的書(shū)籍和文獻(xiàn)后,從敘事角度對(duì)兩檔節(jié)目進(jìn)行比較,對(duì)旅游地理類(lèi)電視節(jié)目以后的發(fā)展提出了自己的看法。第一章是對(duì)旅游地理類(lèi)電視節(jié)目的概括,通過(guò)分析了旅游地理類(lèi)電視節(jié)目的內(nèi)涵、發(fā)展,總結(jié)出敘事特點(diǎn)。第二章是對(duì)《遠(yuǎn)方的家》和《行者》的敘事主題進(jìn)行分析比較,通過(guò)觀看節(jié)目,分析節(jié)目選取的題材,從不同角度總結(jié)出這兩檔節(jié)目所表達(dá)的主題。第三章是對(duì)這兩檔節(jié)目的敘事視角進(jìn)行分析,結(jié)合敘事視角的理論知識(shí)對(duì)節(jié)目中所采用的多個(gè)視角進(jìn)行辯證分析,總結(jié)出兩檔節(jié)目所采用的不同敘事視角對(duì)敘事的不同作用。第四章則是從敘事結(jié)構(gòu)對(duì)這兩檔節(jié)目進(jìn)行比較分析,運(yùn)用敘事學(xué)理論對(duì)節(jié)目中采用的敘事結(jié)構(gòu)進(jìn)行闡述論證,進(jìn)而分析其產(chǎn)生的不同表達(dá)效果。第五章是分析旅游地理類(lèi)節(jié)目發(fā)展趨向,通過(guò)分析國(guó)外和港臺(tái)優(yōu)秀的旅游地理類(lèi)電視節(jié)目,借鑒節(jié)目制作經(jīng)驗(yàn)彌補(bǔ)自身不足,從而提出未來(lái)的發(fā)展走勢(shì)。通過(guò)對(duì)這兩檔優(yōu)秀的節(jié)目從敘事角度進(jìn)行分析比較,總結(jié)出對(duì)旅游地理類(lèi)節(jié)目的發(fā)展有促進(jìn)作用的經(jīng)驗(yàn)。本文通過(guò)敘事學(xué)、個(gè)案分析法及文獻(xiàn)研究法等多種研究方法對(duì)旅游類(lèi)電視節(jié)目提出了一些不太成熟但比較有創(chuàng)新的觀點(diǎn)和看法,希望分析這兩檔節(jié)目能在旅游地理類(lèi)電視節(jié)目研究方面有所突破,由于本人知識(shí)和經(jīng)驗(yàn)的不足,本文還有著許多不足之處。只希望本文能對(duì)內(nèi)地的旅游地理類(lèi)節(jié)目起到一點(diǎn)參考意見(jiàn)。
[Abstract]:With the continuous development of social economy and tourism, tourism geography TV programs emerge as the times require. From the original life service to today's tourism geography TV programs, the contents and themes of the programs are constantly rich. However, most tourism TV programs have failed to keep pace with the development of television industrialization and specialization, and the forms and contents have tended to be homogenized and commercialized, lacking in connotation and new ideas. The quality of the program is not high. The broadcast of "Home from afar" and "Walker" have been well received by the audience, with ratings at the top of the list. As of August 2016, "Home from afar" has broadcast six series, with the theme of "family and country feelings" as the theme, using the way reporters walk and experience to describe the natural scenery, cultural landscape, excavate people's stories and show the changes of people's life in various parts of the motherland. It is a complete picture of Chinese civilization. Since its launch in 2004, the theme of "Outdoor Exploration, Ecological Environmental Protection, Geographical amorous feelings" has been the theme of "Outdoor Exploration, Ecological Environmental Protection, Geography", and the themes and contents have been extended to the exotic customs of the world. It has a profound humanistic spirit to tell stories or personal deeds that take place during the journey from a personal perspective. This article is on the basis of a large number of watching the two programs, read a lot of narratology theory, tourism books and literature, from the perspective of narrative to compare the two programs. The author puts forward his own views on the development of tourism geography TV programs. The first chapter is a summary of the tourism geography TV programs, through the analysis of tourism geography TV programs connotation, development, summed up the narrative characteristics. The second chapter is to analyze and compare the narrative themes of "home from afar" and "walker", through watching the program, analyzing the theme selected by the program, and summing up the themes expressed by the two programs from different angles. The third chapter is to analyze the narrative perspective of the two programs, combined with the theoretical knowledge of narrative perspective of the program used in the dialectical analysis of a number of perspectives, summed up the two programs used different narrative perspective on the different role of narrative. The fourth chapter is a comparative analysis of the two programs from the narrative structure, using narratology theory to illustrate the narrative structure used in the program, and then analyze its different expression effects. The fifth chapter is to analyze the development trend of tourism geography programs, through the analysis of foreign and Hong Kong and Taiwan excellent tourism geography TV programs, draw lessons from the experience of making programs to make up for their own shortcomings, so as to put forward the future development trend. Through the analysis and comparison of the two excellent programs from the narrative point of view, the author summarizes the experience of promoting the development of tourism geography programs. This paper puts forward some immature but innovative viewpoints on tourism TV programs through narrative, case analysis, literature research and other research methods. It is hoped that the analysis of these two programs can make a breakthrough in the research of TV programs of tourism geography. Due to the deficiency of my knowledge and experience, there are still many deficiencies in this paper. Only hope this article can have a little reference opinion to the inland traveling geography class program.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：G222

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本文編號(hào)：2016108