本文選題：微新聞 + 新聞生產(chǎn)　； 參考：《安徽師范大學(xué)》2017年碩士論文

【摘要】：本論文以微新聞作為研究對象,考察微新聞生產(chǎn)觸發(fā)傳統(tǒng)新聞生產(chǎn)的革新。研究將焦點(diǎn)定位于“變革”“革新”之上,依循新聞“生產(chǎn)鏈”的總體思路,將微新聞生產(chǎn)視為一種系統(tǒng)結(jié)構(gòu),以探求生產(chǎn)過程的內(nèi)在機(jī)理,并對其內(nèi)部要素的工作方式進(jìn)行闡釋。研究揭示了傳播技術(shù)與公民力量對于微新聞生產(chǎn)的開創(chuàng)之功,而公民力量參與新聞實(shí)踐則是引發(fā)“蝴蝶效應(yīng)”的要因,背后更有潛在力量驅(qū)使。本研究意在揭示新聞業(yè)態(tài)轉(zhuǎn)型與新聞生產(chǎn)實(shí)踐、公民新聞與專業(yè)新聞、新聞人的迎合與砥礪等現(xiàn)實(shí)面貌,為未來優(yōu)化新聞生產(chǎn)策略提供一些現(xiàn)實(shí)依據(jù)與參考。論文在理論路徑上借鑒了邁克爾〃舒德森、蓋伊〃塔奇曼、赫伯特〃甘斯等的研究思想,在理論框架搭建上引入了工業(yè)生產(chǎn)的“工藝”理念,從而將新聞生產(chǎn)各環(huán)節(jié)作為論述角度,并一以貫之。論文的邏輯層面包含了“微新聞”與“微生產(chǎn)”兩部分,試圖突破對微新聞生產(chǎn)過程過于線性的思維定式,從而找到更新穎更合理的闡釋角度。文章主體分五個部分,大體涵蓋了“生產(chǎn)者”“生產(chǎn)流程”“生產(chǎn)關(guān)系”“產(chǎn)品內(nèi)容”和“生產(chǎn)啟示”五個方面。第一章論述了微新聞造成了新聞生產(chǎn)主體的變遷:新媒體借助新傳播技術(shù)對傳統(tǒng)媒體實(shí)現(xiàn)“彎道超車”,公民報(bào)道的力量由此顯現(xiàn),并登上新聞生產(chǎn)“舞臺”;同時(shí),傳統(tǒng)媒體的渠道霸權(quán)被打破,職業(yè)新聞人不再“專營”新聞生產(chǎn),其職業(yè)身份開始轉(zhuǎn)型。第二章從流程再造的角度出發(fā),論述微新聞生產(chǎn)流程上開放式、互動式和扁平化的變革。通過流程再造,媒體系統(tǒng)結(jié)構(gòu)有望達(dá)到最優(yōu)化,而非局限于個別環(huán)節(jié)的最優(yōu)化。第三章解析微新聞生產(chǎn)的關(guān)系重構(gòu)�！懊撚颉笔切侣勆a(chǎn)的情境變化,并包含著主體——客體在時(shí)空轉(zhuǎn)換下的復(fù)雜關(guān)系;“交互”代表著傳統(tǒng)媒體、社會公眾和自媒體平臺的互動;“二重性”指生產(chǎn)中暗含各種“策略突圍”要素,并在制動/使動中發(fā)生著關(guān)系再生產(chǎn)。生產(chǎn)關(guān)系其實(shí)是微新聞生產(chǎn)的潛在驅(qū)動力,將其梳理清楚,有利于更好地維持微新聞生產(chǎn)的秩序。第四章論述微新聞生產(chǎn)在內(nèi)容層面上的變革。本章的論述可分為兩部分,第一部分是從微新聞產(chǎn)品形態(tài)上論述其創(chuàng)新之處,第二部分是將微新聞置于整個媒體系統(tǒng)中,論述其充當(dāng)?shù)奶囟ń巧�。第五章論述微新聞生產(chǎn)變革帶來的啟示。本章基于微新聞生產(chǎn)觸發(fā)的變革,著重從公民媒介素養(yǎng)、記者的全能型素質(zhì)和“對話新聞”機(jī)制三個方面,為有序生產(chǎn)提供一些建設(shè)性思考。
[Abstract]:In this paper, micro-news as a research object, micro-news production triggered the innovation of traditional news production. The research focuses on "change" and "innovation", follows the general idea of news "production chain", and regards micro-news production as a system structure, in order to explore the internal mechanism of production process. And its internal elements of the work of the way to explain. The research reveals that communication technology and citizen force have created the micro-news production, and the citizen's participation in news practice is the main cause of the "butterfly effect", which is driven by the potential power behind it. The purpose of this study is to reveal the reality of news format transformation and news production practice, citizen news and professional news, news personage's pandering and improvement, and to provide some practical basis and reference for optimizing news production strategy in the future. The thesis draws lessons from Michael "Schuderson", Guy "Tachmann" and Herbert "Gans" on the theoretical path, and introduces the "craft" idea of industrial production in the theoretical framework. Thus, the news production links as a point of view, and consistent with it. The logical level of the thesis consists of two parts, "micro-news" and "micro-production", which attempt to break through the thinking formula of the process of micro-news production too linear, so as to find a more novel and reasonable angle of interpretation. The main body of the article is divided into five parts, which cover the five aspects of producer, production process, production relationship, product content and production revelation. The first chapter discusses that micro-news has caused the change of the main body of news production: the new media realize "detour overtaking" to the traditional media with the help of the new communication technology, and the power of citizen report thus appears, and step onto the stage of news production; at the same time, The channel hegemony of traditional media is broken, professional journalists no longer specialize in news production, and their professional identity begins to transform. The second chapter discusses the open, interactive and flat change of micro news production process from the point of view of process reengineering. Through process reengineering, media system structure is expected to be optimized, not limited to the optimization of individual links. The third chapter analyzes the relationship reconstruction of micro news production. "decoupling" is the situation change of news production, and contains the complex relationship between subject and object under the transformation of time and space, "interaction" represents the interaction of traditional media, social public and self-media platform. "Duality" means that various elements of "strategic breakthrough" are implied in production, and the relationship between braking and actuation occurs in reproduction. The relations of production are the potential driving force of micro news production, which is helpful to maintain the order of micro news production. The fourth chapter discusses the change of micro news production on the content level. This chapter can be divided into two parts. The first part is to discuss the innovation of micro-news product form. The second part is to put micro-news in the whole media system and discuss its specific role. The fifth chapter discusses the enlightenment brought by the micro news production reform. Based on the change triggered by micro-news production, this chapter focuses on three aspects: citizen media literacy, journalists' all-around quality and "dialogue news" mechanism, which provide some constructive thinking for orderly production.
【學(xué)位授予單位】：安徽師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：G210

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