客體、主體與情境:“像化”國家形象的認知圖譜
發(fā)布時間:2018-06-01 16:23
本文選題:“像化”國家形象 + 認知機制 ; 參考:《南京社會科學》2017年02期
【摘要】:"像化"國家形象是一種以視覺信息為主因來建構和傳遞國家形象的方式,它以"圖像"為主要表象方式給出具體有形的國家形象,成為被感知、被想象、被判斷、被期望的意向對象,它不是單純的"鏡式"物象映現(xiàn),而是裹挾"意識形態(tài)內涵"的視覺表征系統(tǒng)。"像化"國家形象的認知不是簡單的觀審,而是關涉影像表象的知覺、記憶和思維等行為,不僅受制于包括圖型-圖像、圖型-形式和圖型-母型在內的"像化"國家形象客體,還受制于視像信息的泛接觸、視像記憶與存儲、選擇性注意、視像信息的運演等主體認知過程,以及微觀認知情境和宏觀認知情境共同建構的"關系視界"。
[Abstract]:The national image of "image" is a way to construct and transmit the national image with visual information as the main reason, it gives the concrete and tangible national image with "image" as the main representation, and becomes perceived, imagined and judged. The intended object is not a mere "mirror" image, but a visual representation system with "ideological connotation". " The cognition of "image of the country" is not a simple examination, but is related to the perception, memory and thinking of the image. It is not only restricted by the object of "image" state image, including graphic-image, graph-form and graph-mother-type. It is also restricted by the general contact of video information, the visual memory and storage, the selective attention, the operation of video information, and the "relational horizon" constructed by the micro cognitive situation and the macro cognitive situation.
【作者單位】: 西南大學公共文化研究中心;西南大學新聞傳媒學院;
【基金】:國家社科基金項目“經(jīng)濟全球化語境下的中國影像傳播與中國形象研究”(10BXW017)的階段性成果
【分類號】:D822;G206
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本文編號:1964817
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