本文選題：微媒體　切入點(diǎn)：自媒體　出處：《學(xué)習(xí)與探索》2017年07期 　論文類型：期刊論文

【摘要】：雅各布森提出"文學(xué)性"概念并將之定義為使一部作品成為文學(xué)作品的東西時,就已經(jīng)把文學(xué)和文學(xué)性這兩個概念區(qū)分開來,這為我們懸置文學(xué)而談文學(xué)性提供了理論前提。伴隨著智能手機(jī)的發(fā)展普及,當(dāng)代社會已經(jīng)進(jìn)入了一個微媒體時代。各種微媒體形式在文本、世界、共同參與者之間的交流互動,在建構(gòu)起某種有意味的形式的同時,也建構(gòu)了某種文學(xué)性。而以反本質(zhì)主義的觀念來說,這些微媒體形式在一定意義上也可以被看成是文學(xué)作品,只是這種微媒體形式的文學(xué)性有自身的特征。
[Abstract]:When Jacobson put forward the concept of "literariness" and defined it as something that makes a work of literature, the two concepts of literature and literariness have already been distinguished. This provides a theoretical premise for us to talk about literariness in suspended literature. With the development and popularization of smart phones, contemporary society has entered an era of micromedia. All kinds of micromedia forms are in the text, in the world, The interaction between the common participants not only constructs a meaningful form, but also constructs a certain literariness. In the view of anti-essentialism, these micro-media forms can also be regarded as literary works in a certain sense. Only this kind of micromedia form of literature has its own characteristics.
【作者單位】： 黑龍江大學(xué)文學(xué)院;
【基金】：國家社會科學(xué)基金項(xiàng)目“事件性思維與文學(xué)研究”(17BZW051)
【分類號】：G206

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