本文關(guān)鍵詞： 特稿 文體 李海鵬 文學(xué) 新聞　出處：《新聞大學(xué)》2017年04期 　論文類型：期刊論文

【摘要】：本文立足特稿生成的微觀視角,運(yùn)用內(nèi)容分析和文本分析方法,系統(tǒng)考察了被譽(yù)為"中國新聞業(yè)的最佳特稿記者"的李海鵬19篇特稿文本的文體特征與敘事特色,并結(jié)合其實(shí)踐經(jīng)歷與專業(yè)認(rèn)知,試圖探討的核心問題是:"特稿中的文學(xué)性與新聞性如何呈現(xiàn),記者如何在‘自由’與‘尺度’之間‘提純’并實(shí)現(xiàn)文學(xué)與新聞的平衡"。研究發(fā)現(xiàn),特稿所具有的文學(xué)與新聞雙重特質(zhì),"投射"到記者的特稿實(shí)踐中,即表現(xiàn)為記者在文學(xué)境界、技巧與新聞理念、規(guī)范之間的博弈,二者的邏輯起點(diǎn)與最終歸宿都是特稿作為公共知識(shí)和讀者接受對(duì)象存在的社會(huì)訴求。
[Abstract]:Based on the microscopic perspective of feature generation, this paper uses the methods of content analysis and text analysis. This paper systematically examines the stylistic and narrative features of Li Haipeng's 19 feature texts, which are praised as "the best feature reporter in Chinese journalism", and combines his practical experience with his professional cognition. The key issues are: "how to present the literariness and journalism in the feature, how to 'purify' between 'freedom' and 'yardstick' and how to achieve the balance between literature and news." The feature has the dual characteristic of literature and news, "projecting" into the reporter's practice of feature writing, that is, the game between the reporter's literary realm, skill and news idea, norm. The logical starting point and final destination of both are the social demands of feature as the object of public knowledge and reader acceptance.
【作者單位】： 安徽大學(xué)新聞傳播學(xué)院;
【基金】：國家社科基金項(xiàng)目“當(dāng)代中國報(bào)紙新聞文體史研究(1949-2012)”(項(xiàng)目編號(hào):13CXW005)
【分類號(hào)】：G212.2
【正文快照】： “特稿”(Feature)是一個(gè)地道的“舶來品”。1978年,美國普利策新聞獎(jiǎng)新增“特稿寫作獎(jiǎng)”(Feature Writing),特稿逐漸受到西方新聞界的重視。20世紀(jì)80年代后伴隨該獎(jiǎng)的譯介,“特稿”作為一種新型文體形式傳入我國,但國內(nèi)新聞學(xué)術(shù)界一度將其等同于本土的“報(bào)告文學(xué)”“通訊”“，

本文編號(hào)：1441953