童話的歷史淵遠(yuǎn)流長(zhǎng)。早在人類文明的初期,童話便開始在勞動(dòng)人民口中流傳。它于奇幻中蘊(yùn)真理,于虛構(gòu)中現(xiàn)真知,傳遞著前人的智慧,也啟蒙后人的思想。勞動(dòng)人民的悲苦和怨憤在童話構(gòu)建的美妙烏托邦世界中得到渲泄,而善惡終將有報(bào)的思想也在一定程度上緩解了兩大對(duì)立階級(jí)的矛盾。不同的敘述者根據(jù)時(shí)代背景和受眾的不同將童話的內(nèi)容進(jìn)行修改,于是乎同一個(gè)童話便有眾多各異的版本。即使在童話完成了從口頭文學(xué)到書面文本的轉(zhuǎn)變之后,不同的創(chuàng)作者仍根據(jù)自身所處的社會(huì)意識(shí)形態(tài)對(duì)童話進(jìn)行改編和重述,而媒介和受眾的變化也對(duì)童話的改寫起到一定作用。 本論文從考察同一童話在不同的歷史背景下的不同版本出發(fā),對(duì)《白雪公主》這一童話的基本情節(jié)結(jié)構(gòu)從文藝復(fù)興時(shí)期到后現(xiàn)代主義時(shí)代的嬗變進(jìn)行了較為全面、深入的分析和論述。全文結(jié)構(gòu)共分四個(gè)部分:引言、正文、結(jié)語和參考文獻(xiàn),其中正文包括三個(gè)章節(jié)。 本文創(chuàng)新性的研究成果表現(xiàn)在三個(gè)方面。首先,本論文跨越了時(shí)間的框架,選取了不同時(shí)期對(duì)《白雪公主》基本框架的三個(gè)變體作為主要研究對(duì)象,其中既有像《格林童話》那樣的傳統(tǒng)童話文本,又有唐納德·巴塞爾姆筆下后現(xiàn)代主義小說,還包括了像迪斯尼電影那樣的視覺媒體版本。雖然...

【文章頁(yè)數(shù)】：117 頁(yè)

【學(xué)位級(jí)別】：博士

【文章目錄】：
Acknowledgements
Abstract in Chinese
Abstract in English
Chapter One Introduction
    I Prejudice against the Fairy tale
    II Misnomer of the Term Fairy tale
    III Revision and Reinterpretation of Fairy Tales
    IV Origin of the Fairy Tale and its Relationship with Myth
    V Approaches towards the Interpretation of Fairy Tales
Chapter Two Snow White: Rediscovered and Regenerated
    I Once There Were Two Brothers Named Grimm
    II Revolutionary Rise of the Literary Fairy Tale in Germany
    III Kinder-und Hausm(a|¨)rchen (Children’s and Household Tales)
    IV Sneewittchen (Little Snow-White)
        A Variations in Different Editions of the Grimms’Little Snow-White
        B Textual Analysis of the Standard Edition of Little Snow-White
Chapter Three Snow White: Simplified and Saccharinized
Chapter Four Snow White: Bandaged and Wounded
    I Life and Works of Donald Barthelme
    II Postmodern Snow White
        A Barthelme’s Aesthetics
        B The Narrative of Snow White
        C Language: The Reality in its own Right
Chapter Five Conclusion
Appendix One Gold-Tree and Silver-Tree
Appendix Two The Young Slave
Works Cited



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