文化創(chuàng)傷解構在美國重大歷史事件中體現(xiàn)的研究
發(fā)布時間:2024-03-25 05:52
文化創(chuàng)傷可以被視為是社會集體的群體性記憶創(chuàng)傷。原有的社會結構被可怕的事件所破壞,集體認同發(fā)生永久性的轉變和調整。文化創(chuàng)傷不僅僅是一個孤立的事件,更是一個社會過程,包括確認創(chuàng)傷性質,明確受害者和加害者,界定責任,再現(xiàn)創(chuàng)傷,并且使創(chuàng)傷慣例化。借由構建文化創(chuàng)傷,某個社會群體甚至是整個社會在認知上認同人類苦難的存在,并且分擔社會內他人的情緒、痛苦和責任。一種強制性的需求驅使人們去重歷這個事件并從中得到解脫,因此文化創(chuàng)傷再現(xiàn)是一個十分重要的部分。文化創(chuàng)傷再現(xiàn)形式多樣,本文將重點關注文學作品,電影和官方行為的創(chuàng)傷再現(xiàn)。而文化創(chuàng)傷最終將被解構,它會內化為集體記憶和集體認同。一戰(zhàn)后,年輕人遭受了嚴重的創(chuàng)傷,并由此產生了迷惘的一代。他們的作品深刻揭示了戰(zhàn)后西方世界普遍的異化感和幻滅感,表達了戰(zhàn)爭的殘酷和對戰(zhàn)爭的譴責。由戰(zhàn)爭引起的尖銳的社會矛盾和嚴重的精神危機在他們的作品中得到了真實的反映。通過在文學作品中再現(xiàn)一戰(zhàn)造成的文化創(chuàng)傷,作者的情緒得以紓解,讀者們可以認同并共同承擔文化創(chuàng)傷,文化創(chuàng)傷也得以消解。越戰(zhàn)對美國人來說無疑是具有重大影響的文化創(chuàng)傷。一批導演和編劇通過電影再現(xiàn)了他們親歷的越戰(zhàn),這些影片比較客...
【文章頁數】:65 頁
【學位級別】:碩士
【文章目錄】:
Abstract
摘要
Acknowledgements
Chapter One Introduction
1.1 Background of the Research
1.2 Significance of the Research
1.3 Structure of the Thesis
Chapter Two Literature Review
2.1 Cultural Trauma
2.1.1 Cultural Trauma theory
2.1.2 The Social Process of Cultural Trauma
2.2 Foreign and Domestic Studies on Cultural Trauma
2.2.1 Foreign Studies on Cultural Trauma
2.2.2 Domestic Studies on Cultural Trauma
2.3 Theory of Deconstruction
2.4 Foreign and Domestic Studies on the Theory of Deconstruction
2.4.1 Foreign Studies on the Theory of Deconstruction
2.4.2 Domestic Studies on the Theory of Deconstruction
Chapter Three Deconstruction of Cultural Trauma through Literature-Lost Generation as a Case Study
3.1 Construction of Cultural Trauma Caused by World War Ⅰ
3.2 Representation of Cultural Trauma through Literature
3.3 Deconstruction of Cultural Trauma Caused by World War Ⅰ
Chapter Four Deconstruction of Cultural Trauma through Films—the Vietnam War as a Case Study
4.1 Construction of Cultural Trauma caused by the Vietnam War
4.2 Representation of Cultural Trauma through Films
4.3 Deconstruction of Cultural Trauma Caused by the Vietnam War
Chapter Five Deconstruction of Cultural Trauma through Official Actions—the 9/11 Attacks as a Case Study
5.1 Construction of Cultural Trauma Caused by 9/11 Attacks
5.2 Representation of Cultural Trauma through Official Actions
5.3 Deconstruction of Cultural Trauma Caused by the 9/11 Attacks
Chapter Six Conclusion
Bibliography
本文編號:3938635
【文章頁數】:65 頁
【學位級別】:碩士
【文章目錄】:
Abstract
摘要
Acknowledgements
Chapter One Introduction
1.1 Background of the Research
1.2 Significance of the Research
1.3 Structure of the Thesis
Chapter Two Literature Review
2.1 Cultural Trauma
2.1.1 Cultural Trauma theory
2.1.2 The Social Process of Cultural Trauma
2.2 Foreign and Domestic Studies on Cultural Trauma
2.2.1 Foreign Studies on Cultural Trauma
2.2.2 Domestic Studies on Cultural Trauma
2.3 Theory of Deconstruction
2.4 Foreign and Domestic Studies on the Theory of Deconstruction
2.4.1 Foreign Studies on the Theory of Deconstruction
2.4.2 Domestic Studies on the Theory of Deconstruction
Chapter Three Deconstruction of Cultural Trauma through Literature-Lost Generation as a Case Study
3.1 Construction of Cultural Trauma Caused by World War Ⅰ
3.2 Representation of Cultural Trauma through Literature
3.3 Deconstruction of Cultural Trauma Caused by World War Ⅰ
Chapter Four Deconstruction of Cultural Trauma through Films—the Vietnam War as a Case Study
4.1 Construction of Cultural Trauma caused by the Vietnam War
4.2 Representation of Cultural Trauma through Films
4.3 Deconstruction of Cultural Trauma Caused by the Vietnam War
Chapter Five Deconstruction of Cultural Trauma through Official Actions—the 9/11 Attacks as a Case Study
5.1 Construction of Cultural Trauma Caused by 9/11 Attacks
5.2 Representation of Cultural Trauma through Official Actions
5.3 Deconstruction of Cultural Trauma Caused by the 9/11 Attacks
Chapter Six Conclusion
Bibliography
本文編號:3938635
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