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艾麗絲·門羅小說集《逃離》的逃逸線解讀

發(fā)布時(shí)間:2024-03-17 16:21
  2013年諾貝爾文學(xué)獎(jiǎng)獲得者,加拿大女作家艾麗絲·門羅(Alice Munro,1931-)被譽(yù)為“現(xiàn)當(dāng)代短篇小說大師”。她的筆下演繹著的多是城郊小鎮(zhèn)平凡女子的平凡生活的畫面,故事背景大多為鄉(xiāng)間小鎮(zhèn)及其鄰里。這種看似平白樸實(shí),細(xì)膩優(yōu)雅的文字卻正好能夠描繪出隱蔽于生活各個(gè)角落的細(xì)微之事,也更能令人感同身受,引起共鳴!短与x》是其2004年出版的一部短篇小說集,收錄了八篇作品,講訴了不同年齡階段的女人“逃離”的經(jīng)歷,于2009年獲布克國際獎(jiǎng)。德勒茲和加塔里哲學(xué)思想的核心在于他們希望借助逃逸線來幫助個(gè)人擺脫資本的束縛。他們創(chuàng)造了許多條不同的逃逸線,本文主要利用其中五條,即去臉面性,解轄域化,生成,形成無器官身體和重復(fù)來分別解讀《逃離》中的五個(gè)短篇小說!短与x》中卡拉因?yàn)樵诮?jīng)濟(jì)和情感上對(duì)克拉克過于依賴,沒能實(shí)現(xiàn)解轄域化,致使其逃離失敗;《機(jī)緣》中朱麗葉因?yàn)閷W(xué)術(shù)不精,過度沉溺于情愛,成為自己生成對(duì)象物的受害者,一步步走向深淵;《激情》中格蕾斯因?yàn)榍楦谐搅死碇?受制于白墻規(guī)制,蟄伏于黑洞中,沒能成功去除臉面性;《匆匆》中朱麗葉因?yàn)殄e(cuò)誤的欲望觀,精神器官去功能化,沒有正確的價(jià)值判斷,成為枯干的無器...

【文章頁數(shù)】:51 頁

【學(xué)位級(jí)別】:碩士

【文章目錄】:
摘要
Abstract
Chapter One Introduction
    1.1 Alice Munro and Runaway
    1.2 Deleuze
    1.3 Significance of the Thesis
    1.4 Layout of the Thesis
Chapter Two Literature Review
    2.1 Studies on Runaway Abroad
    2.2 Studies on Runaway at Home
    2.3 Studies on Deleuze’s Thoughts Abroad
    2.4 Studies on Deleuze’s Thoughts at Home
Chapter Three Lines of Flight
    3.1 Dismantling the Face
    3.2 Deterritorialization
    3.3 Becomings
    3.4 Body without Organs (Bw O)
    3.5 Repetition
Chapter Four Application of Lines of Flight to the Study of Runaway
    4.1 Interpretation of Runaway from the Perspective of Deterritorialization
        4.1.1 Plot of Runaway
        4.1.2 Deterritorialization of Carla
        4.1.3 Reasons Why Carla Fails in Deterritorialization
    4.2 Interpretation of Chance from the Perspective of Becoming
        4.2.1 Plot of Chance
        4.2.2 Becomings of Juliet
        4.2.3 Reasons Why Juliet Fails in Becoming
    4.3 Interpretation of Passion from the Perspective of Dismantling the Face
        4.3.1 Plot of Passion
        4.3.2 Dismantling the Face of Grace
        4.3.3 Reasons Why Grace Fails in Dismantling the Face
    4.4 Interpretation of Soon from the Perspective of Bw O
        4.4.1 Plot of Soon
        4.4.2 Bw O of Juliet
        4.4.3 Reasons Why Juliet Fails in Forming Full Bw O
    4.5 Interpretation of Tricks from the Perspective of Repetition
        4.5.1 Plot of Tricks
        4.5.2 Repetition of Robin
        4.5.3 Reasons Why Robin Fails in Repetition
Chapter Five Conclusion
    5.1 Summary of This Study
    5.2 Limitations of the Study and Suggestions for Future Work
Bibliography
Acknowledgements
附錄1 攻讀碩士學(xué)位期間發(fā)表的論文
附錄2 攻讀碩士學(xué)位期間參加的科研項(xiàng)目



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