奇卡娜邊緣地位—《喊女溪及其他》與《卡拉米洛披肩》評(píng)析
發(fā)布時(shí)間：2022-05-03 02:24
桑德拉·希斯內(nèi)羅絲是當(dāng)代美國(guó)文壇上著名的墨西哥裔女作家,因1984年出版的處女作《芒果街上的小屋》一舉成名,此后的《喊女溪及其他》和《卡拉米洛披肩》出版后就受到了廣泛關(guān)注和高度評(píng)價(jià)。希斯內(nèi)羅絲的作品從女性視角,細(xì)致描繪處于各年齡階段的奇卡娜在美國(guó)主流社會(huì)中的生存現(xiàn)狀和成長(zhǎng)經(jīng)歷。白人霸權(quán)主義和男權(quán)主義的雙重壓迫使得奇卡娜的家庭和社會(huì)地位長(zhǎng)期處于邊緣化狀態(tài)。希斯內(nèi)羅絲用故事揭露她們的遭遇,表達(dá)她們的心聲和對(duì)壓迫勢(shì)力的反抗。她的作品為墨西哥文學(xué)在美國(guó)主流社會(huì)中贏得了關(guān)注和重視,也為美墨兩國(guó)人民的理解溝通架起了文化橋梁。鑒于《喊女溪及其他》和《卡拉米洛披肩》的故事內(nèi)容都是在美墨邊境背景下發(fā)生的,所以本文從邊界視角出發(fā),對(duì)兩部作品中邊界和跨邊界的影響來解讀故事中的主角們的遭遇�？缭轿锢磉吔绾�,兩部作品中身處美國(guó)社會(huì)的主角們都感受到無依無靠、身如飄零的痛苦。她們都處于社會(huì)最底層,難以逾越的階級(jí)溝鴻和無法擺脫的種族歧視和性別歧視將她們推向社會(huì)的邊緣。經(jīng)歷了各種打擊和絕望,《喊女溪及其他》中的大部分女主角們紛紛做出了反抗,有的選擇脫離傳統(tǒng)男女關(guān)系,有的選擇拋棄女性的貞潔形象,還有的決定保持單身避免相夫...
【文章頁(yè)數(shù)】：73 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgements
Abstract
摘要
Chapter 1 Introduction
1.1 Sandra Cisneros—A Writer and a Chicana Feminist
1.2 Research Subjects
1.2.1 Woman Hollering Creek and Other Stories
1.2.2 Caramelo
1.3 Significance and Purpose
Chapter 2 Literature Review
2.1 Definition of Border, Borderland and Borderland Position
2.2 Border Studies
2.2.1 Development of Border Studies
2.2.2 Various Border Studies
2.3 Researches on Cisneros’ Works
2.3.1 Researches Abroad
2.3.2 Researches in China
Chapter 3 Formation of Protagonists’ Borderland Position
3.1 Influence of Geographic Border
3.2 Influence of Border-Crossing
3.2.1 Unquenchable Racial Discrimination
3.2.2 Ineradicable Gender Prejudice
3.2.3 Unbridgeable Class Gap
Chapter 4 Resistance against Borderland Position
4.1 Isolation from the Traditional Gender Relation—Ixchel and Cleofilas
4.2 Abandonment of Woman’s Chastity—Clemencia
4.3 Living Alone—Chayo
Chapter 5 Reconciliation with Borderland Position
5.1 Reconciliation with Female Identity
5.1.1 Awankening of Self-Love Consciousness
5.1.2 Reconstruction of Traditional Gender Relation
5.2 Reconciliation with Life
Chapter 6 Acceptance of Borderland Position
6.1 Awareness of the Importance of the Family
6.2 Acceptance of the Past
6.3 Acceptance of the Caramelo Rebozo—A Symbol for Hybridity
Chapter 7 Conclusion
Works Cited
Appendix Publication During M.A Study
本文編號(hào)：3650440
【文章頁(yè)數(shù)】：73 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgements
Abstract
摘要
Chapter 1 Introduction
1.1 Sandra Cisneros—A Writer and a Chicana Feminist
1.2 Research Subjects
1.2.1 Woman Hollering Creek and Other Stories
1.2.2 Caramelo
1.3 Significance and Purpose
Chapter 2 Literature Review
2.1 Definition of Border, Borderland and Borderland Position
2.2 Border Studies
2.2.1 Development of Border Studies
2.2.2 Various Border Studies
2.3 Researches on Cisneros’ Works
2.3.1 Researches Abroad
2.3.2 Researches in China
Chapter 3 Formation of Protagonists’ Borderland Position
3.1 Influence of Geographic Border
3.2 Influence of Border-Crossing
3.2.1 Unquenchable Racial Discrimination
3.2.2 Ineradicable Gender Prejudice
3.2.3 Unbridgeable Class Gap
Chapter 4 Resistance against Borderland Position
4.1 Isolation from the Traditional Gender Relation—Ixchel and Cleofilas
4.2 Abandonment of Woman’s Chastity—Clemencia
4.3 Living Alone—Chayo
Chapter 5 Reconciliation with Borderland Position
5.1 Reconciliation with Female Identity
5.1.1 Awankening of Self-Love Consciousness
5.1.2 Reconstruction of Traditional Gender Relation
5.2 Reconciliation with Life
Chapter 6 Acceptance of Borderland Position
6.1 Awareness of the Importance of the Family
6.2 Acceptance of the Past
6.3 Acceptance of the Caramelo Rebozo—A Symbol for Hybridity
Chapter 7 Conclusion
Works Cited
Appendix Publication During M.A Study
本文編號(hào)：3650440
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