奧古斯特·威爾遜是被評(píng)論界譽(yù)為美國文學(xué)史上最偉大的黑人劇作家�！稏艡凇肥堑於ㄋ麆∽骷业匚坏囊徊烤拮�,也是他獲獎(jiǎng)最多的一部劇作。1986在紐約百腦匯演出后,更是引起評(píng)論界的轟動(dòng),劇評(píng)人對(duì)這部作品給予了充分的肯定。種族隔離和歧視對(duì)非洲裔美國黑人有著極大的影響,這種隔離和歧視像幽靈一樣侵蝕著非洲裔美國黑人的的心理,留下難以消除的創(chuàng)傷,影響著一代代美國黑人的人格和身份的完整建構(gòu)。在《柵欄》中,作者通過口頭言語和筆頭描寫直接或間接展現(xiàn)了由于種族歧視而帶來的創(chuàng)傷從祖輩到子輩的傳遞。因此本論文基于創(chuàng)傷理論,以亞伯拉罕和特洛克提出的代際創(chuàng)傷為切入點(diǎn),以和朱迪斯·赫曼的創(chuàng)傷與療愈理論為指導(dǎo),通過對(duì)《柵欄》進(jìn)行文本細(xì)讀,分析文本中的人物關(guān)系、性格發(fā)展從而建構(gòu)起三代人命運(yùn)與創(chuàng)傷代際傳遞間的聯(lián)系。通過對(duì)呈現(xiàn)代際間創(chuàng)傷的意象和對(duì)幾代人典型創(chuàng)傷癥狀的分析,本文清晰地展示了特洛伊家族幾代人的生存狀況。通過對(duì)代際創(chuàng)傷形成的背景原因的探索,對(duì)創(chuàng)傷代際傳遞的途徑的分析,本文概括出大部分創(chuàng)傷事件是通過兩種途徑進(jìn)行傳遞,一是直接的口頭傳遞,二是筆頭的間接復(fù)寫形式。像幽靈一樣的創(chuàng)傷縈繞在代際間,影響著非洲裔美國人的身份建構(gòu)和健... 

【文章來源】：西南科技大學(xué)四川省

【文章頁數(shù)】：49 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
ABSTRACT
摘要
INTRODUCTION
CHAPTER ONE THE PRESENTATION OF THE INTERGENERATIONAL TRAUMA INFENCES
    1.1 The Images Presenting the Intergenerational Trauma in Fences
        1.1.1 Fence
        1.1.2 Balls
        1.1.3 Mr Death
    1.2 The Symptoms of Trauma Among Generations in Fences
        1.2.1 Hyperarousal
        1.2.2 Intrusion
        1.2.3 Estrangement
CHAPTER TWO THE TRANSIMISSION OF THE INTERGENERATIONAL TRAUMAIN FENCES
    2.1 The Background of The Intergenerational Trauma in Fences
        2.1.1 Social Background
        2.1.2 Familial Background
    2.2 The Transmissive Channels of the Intergenerational Trauma
        2.2.1 The Channel of Verbal Narrative
        2.2.2 The Channel of Written Narrative
CHAPTER THREE THE RECOVERY OF THE INTERGENERATIONAL TRAUMA INFENCES
    3.1 Returning to the Family Affection
        3.1.1 Returning to the Paternal Edification
        3.1.2 Returning to the Mutual Love between Family Members
    3.2 Returning to the Original Black Culture-Blues Music
        3.2.1 Troy's Returning to Blues Music
        3.2.2 Cory's Returning to Blues Music
CONCLUSION
ACKNOWLEDGEMENT
WORKS CITED
RECENT PUBLICATION OF THE AUTHOR AND RESEARCH INVOLVED



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