伊什梅爾·里德是美國最有才華、最有爭議的后現(xiàn)代派作家之一,也是繼拉爾夫·埃利森以來最受評論界關(guān)注的非裔美國男作家。褒揚(yáng)者贊他是繼馬克·吐溫之后美國文壇出現(xiàn)的最優(yōu)秀的諷刺大師,是多元文化主義的積極倡導(dǎo)者:苛評者則給他貼過撲朔迷離的標(biāo)簽——“保守派、激進(jìn)分子、黑人民族主義者、性別歧視者……自命不凡的狂人"等不一而足。的確,“后現(xiàn)代”、“有爭議”、和“非洲裔”這些符號本身,足以說明伊什梅爾·里德小說研究所蘊(yùn)涵的挑戰(zhàn)與意義。伊什梅爾·里德以“新伏都教美學(xué)”思想挑戰(zhàn)西方文明的“元敘事”,解構(gòu)他稱為“阿托恩主義”的形形色色的專制和總體化的勢力。里德的小說始終以破除美國政治、文化和美學(xué)層面各種“阿托恩主義”的迷思為主旨,力圖消除單一文化主義對人類心靈的侵淫。然而,里德提倡一種融合、開放的文化,其創(chuàng)作思想的核心是多元文化主義。因此,盡管里德堅(jiān)持非裔文化傳統(tǒng)——他的創(chuàng)作源泉來自亞文化的“伏都教”,他反對將該傳統(tǒng)進(jìn)行本質(zhì)主義的界定。早在黑人民族主義盛行的年代,里德就以塑造正反不一的黑人人物形象、審視“黑人性”所蘊(yùn)涵的黑人主體和黑人經(jīng)驗(yàn)的異質(zhì)性而大膽顛覆黑人本質(zhì)主義及其文化再現(xiàn)方式。同樣,里德寧愿犯“政治正... 

【文章來源】：廈門大學(xué)福建省 211工程院校 985工程院校 教育部直屬院校

【文章頁數(shù)】：215 頁

【學(xué)位級別】：博士

【文章目錄】：
Abstract
摘要
List of Abbreviation
On Ishmael Reed's Postmoderuist Art of Parody
Introduction
    A.Ishmael Reed and the Literary Tokenism
    B.Ishmael Reed and His Works
    C.Ishmael Reed and His Critics
    D.The Reed Study in China and the Framework of the Present Study
Chapter 1 Satire's Edge:Ishmael Reed and the Postmodernist Parody
    A.Postmodernist Parody as Pastiche-Reedian Parody in Fredric Jameson's Model
        1.Pastiche,Schizophrenia and the Loss of Historicity
        2.Simulacra,Historical Fiction and Crisis in Historicity
        3.Reification,Bricolage,and the Random Play of Signifiers
        4.Pastiche and Textual Play in Ishmael Reed's Fiction
    B.Postmodernist Parody as "Double-Coded" Paradox-Reedian Parody in Linda Hutcheon's Model
        1.A Poetics of Paradox and the Representation of History
        2.Historiographic Metafiction and the Problematization of History
        3.Postmodernist Parody and Its Double-Coded Politics
        4.Parody and Cultural Critique in Ishmael Reed's Fiction
    C.Towards a Pluralizing Interpretation of Postmodernist Parody
Chapter 2 The Black Cowboy in the Marlboro World:Ishmael Reed's Parody of the American Western
    A.Generic Conventions of the American Western
    B.Parodic Transgressions in Yellow Back Radio Broke-Down
        1.Narrative Innovation and Cultural Rewriting
        2.The Apocryphal History and the Triumph of Voodoo
Chapter 3 The Voodoo Houngan on the Case:Ishmael Reed's Parody of the Detective Fiction
    A.Detective Fiction and Its Generic Conventions
    B.Detective Fiction and the Postmodernist Proliferation of the Anti-Detective Fiction
    C.Detective Fiction and Its Revision by the African American Novelists
    D.Mumbo Jumbo as a Text of Black Anti-Detective Fiction
        1.The Elusive Mystery,the Missing Text and the Cultural Connotation of the Crime
        2.The HooDoo Trickster Detective Persona and His Metaphysical Detection of History
        3.The "Amphibious" Text and the "Game" of Decoding
Chapter 4 The Black Raven in the South:Reed's Revision of the Slave Narrative
    A.The Slave Narrative and Its Paradigmatic Gestures
    B.The Slave narrative and Its Contemporary Revision—the Neo-Slave Narrative
    C.Flight to Canada and Its Revision of the Slave Narrative
        1.Parodic Revision and Reed's Rewriting of Anti-Bellum History
        2.Character Reversal and Reed's Reexamination of the Dynamics of Slavery and Freedom
        3.Ex-literary References and Reed's Critique of Cultural Misappropriation
Chapter 5 The Black Junior Professor Amidst the Cultural Wars:Ishmael Reed's Parody of the Academic Fiction
    A.Academic Fiction and Its Satire of the Ivory Tower
    B.The Multicultural Movement and the American Cultural Wars
    C.Japanese by Spring and the American Cultural Wars
        1.Jack London College and the Malaise of Multiculturalism
        2.Cipher Characters and the Monocultural Factions in Jack London College
        3.Jazz Inspired Plot Improvisation and Reeds' Critique of Monoculturalism
        4.The Authorial Intrusion and Reeds' Vision of Multiculturalism
Conclusion
Works Cited
Index
Acknowledgements


【參考文獻(xiàn)】：
期刊論文
[1]Black Atlantic or Black Athena?Black Atlantic or Black Athena?——Neo-slave Narratives in Contemporary Fiction[J]. Judie Newman.  外國文學(xué)研究. 2005(01)



本文編號：3061567