聚焦，意識(shí)流和意象敘事：凱瑟琳·安·波特短篇小說(shuō)的敘事分析
發(fā)布時(shí)間：2021-01-09 07:16
凱瑟琳·安·波特是20世紀(jì)美國(guó)最為重要的女性小說(shuō)家之一。她的短篇作品與喬伊斯、海明威的作品齊名。從本世紀(jì)初開始,波特的作品研究呈上升之勢(shì),很多專家和學(xué)者從各個(gè)角度研究波特的作品,包括女性主義,波特的宗教觀、南方意識(shí)和創(chuàng)傷敘事等,而關(guān)于波特的敘事分析,主要集中于波特的中長(zhǎng)篇作品。本文運(yùn)用法國(guó)學(xué)者熱奈特的“聚焦”理論、國(guó)內(nèi)學(xué)者龍迪勇的空間敘事理論和楊義的意象敘事理論、以及巴赫金的“鏡子”理論來(lái)分析波特短篇小說(shuō)中的敘事。本文提出波特在其短篇小說(shuō)中主要運(yùn)用了聚焦變化、意識(shí)流及意象敘事來(lái)推進(jìn)文本敘事進(jìn)程與服務(wù)主題。本文分為五部分:第一章引言部分,簡(jiǎn)要介紹波特的生平、文學(xué)地位、波特的研究綜述及本文的研究?jī)?nèi)容、方法和意義;第二章借助熱奈特的“聚焦”理論分析《老人》、《瑪利亞·孔塞普西翁》及《被拋棄的韋瑟羅爾奶奶》三篇小說(shuō)的雙重聚焦;第三章從意識(shí)流的三個(gè)方面——蒙太奇、內(nèi)心獨(dú)白和自由聯(lián)想分析《被拋棄的韋瑟羅爾奶奶》、《偷竊》和《墳》的意識(shí)流敘事,在心理蒙太奇部分強(qiáng)調(diào)了波特獨(dú)特的時(shí)間和空間敘事;第四章探討了波特短篇小說(shuō)中的意象敘事。在這一章,利用國(guó)內(nèi)學(xué)者楊義的“意象敘事”理論來(lái)分析《繩》和《裂鏡》中的意...
【文章來(lái)源】：安徽大學(xué)安徽省 211工程院校
【文章頁(yè)數(shù)】：55 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgements
Abstract
中文摘要
Chapter One Introduction
1.1 Introduction to Katherine Anne Porter's Life and Literary Achievement
1.2 Literary Review
1.2.1 Researches Abroad
1.2.2 Researches at Home
1.3 Content, Methodology, Significance of this Research
Chapter Two Focalization as the Strategy of Narration
2.1 Introduction to Focalization
2.2 Varied Focalization in "Old Mortality"
2.3 Varied Focalization in "Maria Concepcion"
2.4 Varied Focalization in "The Jilting of Granny Weatherall"
Chapter Three Stream of Consciousness: the Construction of Space and Time Narrative
3.1 Psychological Montage
3.1.1 Psychological Montage in "The Jilting of Granny Weatherall"
3.1.2 Psychological Montage in "The Grave"
3.2 Inner Monologue
3.2.1 Inner Monologue of "The Jilting of Granny Weatherall"
3.2.2 Inner Monologue of "Theft"
3.3 Free association
3.3.1 Free association in "Rope
3.3.2 Free association in "The Jilting of Granny Weatherall"
Chapter Four Image Narrative as the Strategy of Narration
4.1 Image Narrative in "Rope"
4.2 Image narrative in "The Cracked Looking-Glass"
Chapter Five Conclusion
Works Cited
攻讀學(xué)位期間發(fā)表的論文
本文編號(hào)：2966207
【文章來(lái)源】：安徽大學(xué)安徽省 211工程院校
【文章頁(yè)數(shù)】：55 頁(yè)
【學(xué)位級(jí)別】：碩士
【文章目錄】：
Acknowledgements
Abstract
中文摘要
Chapter One Introduction
1.1 Introduction to Katherine Anne Porter's Life and Literary Achievement
1.2 Literary Review
1.2.1 Researches Abroad
1.2.2 Researches at Home
1.3 Content, Methodology, Significance of this Research
Chapter Two Focalization as the Strategy of Narration
2.1 Introduction to Focalization
2.2 Varied Focalization in "Old Mortality"
2.3 Varied Focalization in "Maria Concepcion"
2.4 Varied Focalization in "The Jilting of Granny Weatherall"
Chapter Three Stream of Consciousness: the Construction of Space and Time Narrative
3.1 Psychological Montage
3.1.1 Psychological Montage in "The Jilting of Granny Weatherall"
3.1.2 Psychological Montage in "The Grave"
3.2 Inner Monologue
3.2.1 Inner Monologue of "The Jilting of Granny Weatherall"
3.2.2 Inner Monologue of "Theft"
3.3 Free association
3.3.1 Free association in "Rope
3.3.2 Free association in "The Jilting of Granny Weatherall"
Chapter Four Image Narrative as the Strategy of Narration
4.1 Image Narrative in "Rope"
4.2 Image narrative in "The Cracked Looking-Glass"
Chapter Five Conclusion
Works Cited
攻讀學(xué)位期間發(fā)表的論文
本文編號(hào)：2966207
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