【摘要】：《哈姆萊特》中的書信,特別是哈姆萊特寫給霍拉旭以及哈姆萊特寫給克勞狄斯的書信,包含著若干值得澄清的、對理解劇本意圖具有重要意義的細(xì)節(jié)。神秘信使"克勞狄奧"毫無來由地出現(xiàn)在信件傳送過程中,暗示了與劇中"鬼魂"的隱秘聯(lián)系,其命名方式則顯示出與"克勞狄斯"及"霍拉旭"的字面聯(lián)系。信件傳送環(huán)節(jié)把作為"合體"的克勞狄奧與"赤裸"、"孤單一個"的哈姆萊特并置起來,從而確立了哈姆萊特、克勞狄斯、霍拉旭及鬼魂的"同一性"。從情節(jié)邏輯看,《哈姆萊特》可被視作哈姆萊特的"腦文本"的某個版本。
[Abstract]:The letters in Hamlet, especially those written by Hamlet to Holaxu and Hamlet to Claudis, contain a number of details that are of great significance to the understanding of the intention of the script. The mysterious messenger, Claude, appeared in the process of sending the letter for no reason, implying the secret connection with the ghost in the play, and the naming method showed the literal connection with Claudis and Holaxu. The mysterious messenger appeared for no reason in the process of sending the letter, hinting at the secret connection with the ghost in the play, and the naming method showed the literal connection with Claudis and Holaxu. The mail transmission link combines Claude as "fit" with "naked" and "alone" Hamlet, thus establishing the "identity" of Hamlet, Claudis, Holaxu and ghosts. From the perspective of plot logic, Hamlet can be regarded as a version of Hamlet's brain text.
【作者單位】： 浙江師范大學(xué)人文學(xué)院;
【基金】：國家留學(xué)基金青年骨干教師研修項目成果
【分類號】：I561.073

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