發(fā)布時間：2019-07-23 14:47

【摘要】："革命文學(xué)"作為中國現(xiàn)代文學(xué)史上濃墨重彩的華章長期受到學(xué)術(shù)界的大力關(guān)注,但少有研究追溯"革命文學(xué)"這一概念在全球語境下的跨文化傳播歷程。事實上,"革命文學(xué)"從未在俄蘇或日本被當(dāng)做一個重要的理論口號,更未曾引發(fā)如中國這般激烈的理論爭辯。但是俄蘇及日本的理論資源的確為中國對"革命文學(xué)"的解讀提供了極大的想象空間。文章將"革命文學(xué)"這一概念置于俄羅斯和日本的文化背景中進(jìn)行考量,試圖為探討中國的"革命文學(xué)"提供新的思考路徑。
[Abstract]:As a rich and colorful Chinese chapter in the history of modern Chinese literature, "revolutionary literature" has been paid more and more attention by the academic circles for a long time, but few studies trace the cross-cultural communication process of the concept of "revolutionary literature" in the global context. In fact, "revolutionary literature" has never been used as an important theoretical slogan in Russia, the Soviet Union or Japan, let alone triggered such a heated theoretical debate as China. However, the theoretical resources of Russia, the Soviet Union and Japan do provide great imagination space for the interpretation of revolutionary literature in China. This paper considers the concept of "revolutionary literature" in the cultural background of Russia and Japan, and tries to provide a new way of thinking for the discussion of Chinese "revolutionary literature".
【作者單位】： 美國卡拉馬祖文理學(xué)院;
【分類號】：I109.5

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本文編號：2518225