【摘要】：美華文學(xué)在1940年代進(jìn)入一個發(fā)展高峰期,美國華僑文藝界就"華僑文藝"有較多的論爭。本文立足原始資料《美洲華僑日報》"新生"副刊、《華僑文陣》等對這一問題進(jìn)行梳理,還原1940年代美華文藝界對"華僑文藝"的定義、文化淵源、素材提取、寫作方法等各個方面的論爭及觀點(diǎn)的不斷修正。1940年代美華文藝界對"華僑文藝"的論爭反映了他們自覺的理論探索意識,為確立美華文學(xué)的獨(dú)特內(nèi)涵所做的努力。
[Abstract]:American and Chinese literature entered a peak period of development in 1940s, and there are many debates on "overseas Chinese literature and art" in the field of overseas Chinese literature and art in the United States. This paper combs this problem based on the original materials "Xinsheng" of the American overseas Chinese Daily, "overseas Chinese Literature Array" and so on, and restores the definition, cultural origin and material extraction of "overseas Chinese literature and art" in the American and Chinese literary and art circles in the 1940s. The debate on "overseas Chinese literature and art" in the 1940s reflects their conscious consciousness of theoretical exploration and their efforts to establish the unique connotation of American and Chinese literature.
【作者單位】： 暨南大學(xué)中文系;
【基金】：教育部社科規(guī)劃項(xiàng)目“1940年代美華文學(xué)的歷史發(fā)展與社會影響”(13YJAZH047) 國家社科基金重大項(xiàng)目“百年海外華文文學(xué)研究”(11&ZD111)
【分類號】：I712.06
，

本文編號：2476991