【摘要】：距羅蘭·巴爾特的《敘事作品結(jié)構(gòu)分析導(dǎo)論》發(fā)表已有半個(gè)世紀(jì),然而此文的重要性卻并未式微,它期待著讀者的重讀與新解。借助于話語符號(hào)學(xué)的視角,本文嘗試解讀巴爾特對(duì)敘事話語結(jié)構(gòu)與形態(tài)規(guī)則的掌握、對(duì)語言學(xué)和超語言學(xué)形態(tài)同質(zhì)性的理解、對(duì)超語言學(xué)的設(shè)想以及對(duì)未來話語符號(hào)學(xué)雛形的建構(gòu),一并分析在法國符號(hào)學(xué)從語言系統(tǒng)語言學(xué)模式下的符號(hào)學(xué)到話語語言學(xué)模式的關(guān)鍵轉(zhuǎn)折階段巴爾特所起到的重要作用。
[Abstract]:It is half a century since Roland Barter's introduction to structural Analysis of narrative works was published. However, the importance of this article has not diminished, and it looks forward to the reader's re-reading and new interpretation. From the perspective of discourse semiotics, this paper attempts to interpret Balter's grasp of narrative discourse structure and morphological rules, and his understanding of linguistic and ultra-linguistic morphological homogeneity. Based on the supposition of supralinguistics and the construction of the embryonic form of the future discourse symbolism, this paper also analyzes the important role played by Balter in French semiotics at the critical turning point from symbolic study to discourse linguistics model under the linguistic systemic linguistics model.
【作者單位】： 華東師范大學(xué)中文系;
【基金】：作者教育部2016年人文社會(huì)科學(xué)一般項(xiàng)目青年基金“法國當(dāng)代文論與古典詩學(xué)的關(guān)系”(16YJCZH025) 中國博士后基金會(huì)第58批面上資助項(xiàng)目“羅蘭·巴爾特的話語符號(hào)學(xué)與意識(shí)形態(tài)批判”(2015M581561)的階段性成果
【分類號(hào)】：I565.06

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