【摘要】：在中國學(xué)術(shù)界和媒體對"詩意地棲居"這一詩句的接受過程中,歷經(jīng)了從荷爾德林到海德格爾再到陶淵明的發(fā)展過程,表現(xiàn)出中國學(xué)術(shù)界在接受國外思想時的基本趣味和傾向,即以中國傳統(tǒng)士大夫式的個人修身養(yǎng)性和以個體審美生存為基調(diào)的小資情懷在"詩意地棲居"這個詩句中找到了一個極佳的媒介載體,完成了哲學(xué)人生觀等形而上論題至大眾傳媒和房地產(chǎn)廣告界的位移。文章所展現(xiàn)的僑易過程,是一個由"思想"觀念到"器物"的過程,這樣的過程,可以用文化"僑易"中的文化下延來解釋。
[Abstract]:In the process of accepting the poem "poetical habitation" by Chinese academia and media, it has experienced the development process from Holdrin to Heidegger to Tao Yuanming, which shows the basic interest and tendency of Chinese academia in accepting foreign thoughts. That is, with the Chinese traditional scholar-bureaucrat style of personal cultivation and individual aesthetic survival as the tone of small capital feelings in the "poetic habitation" this poem found an excellent medium carrier. Completed the philosophical outlook on life and other metaphysical issues to the mass media and real estate advertising displacement. The process of transference of overseas Chinese presented in this paper is a process from the concept of "thought" to "utensils", which can be explained by the extension of culture in the cultural "Yi of overseas Chinese".
【作者單位】： 寧波大學(xué)外國語學(xué)院;
【分類號】：I106.2
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本文編號：2464784