【摘要】：20世紀(jì)美國著名作家塞林格的成長小說《麥田里的守望者》以其獨(dú)特的敘述風(fēng)格成為后現(xiàn)代敘述的代表之作。作者在小說中采用了第一人稱回顧性敘述,以故事之中的經(jīng)驗(yàn)自我和游離于故事之外的敘述自我的雙重視角,頗具匠心地安排情節(jié),深化了作品主題;又以內(nèi)聚焦敘事為讀者真實(shí)地描繪了一幅工業(yè)文明下的美國生活圖景以及一個(gè)青春期少年復(fù)雜矛盾的內(nèi)心世界;非人格化敘事讓作者放棄了傳統(tǒng)小說的勸誡說教功能,以超然的態(tài)度對美國戰(zhàn)后青少年的生存境域進(jìn)行了另一種詮釋。
[Abstract]:Salinger's initiation novel "Catcher in the Rye" by the famous American writer in the 20th century has become a representative work of post-modern narration with its unique narrative style. The author adopts the first person retrospective narration in the novel, with the experience self in the story and the narrative self separated from the story, the author arranges the plot with great ingenuity, and deepens the theme of the work by means of the double perspective of the experience self in the story and the narrative self outside the story. The author also describes a picture of American life under the industrial civilization and the inner world of a adolescent's complicated contradiction with the inner focus narrative. The non-personification narrative causes the author to give up the persuasive preaching function of the traditional novels, and makes another interpretation of the survival environment of the postwar American teenagers with a transcendental attitude.
【作者單位】： 曲靖師范學(xué)院人文學(xué)院;
【分類號】：I712.074
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本文編號：2461826