【摘要】：本文對意第緒語作家S.昂斯基于1913年創(chuàng)作的戲劇《惡靈,或介于兩個(gè)世界之間》從托寓的角度進(jìn)行解讀,認(rèn)為作者在這部劇作中植入了完整的17世紀(jì)沙巴特運(yùn)動的框架,意在曲折說明其同時(shí)代猶太人的信仰與17世紀(jì)猶太人對假彌賽亞的信仰類似,二者皆不能把他們從現(xiàn)世的痛苦中解救出來。同時(shí),通過傳統(tǒng)的內(nèi)容與戲劇這種象征現(xiàn)代性的藝術(shù)形式的結(jié)合,作者表達(dá)了他對現(xiàn)代世界中留存的傳統(tǒng)猶太宗教和生活的復(fù)雜態(tài)度。
[Abstract]:In this paper, the author of Yiddish language, S. Based on the 1913 play "evil spirit, or between the two worlds", he interprets it from the perspective of trust and believes that the author has implanted a complete framework of the 17th century Shabart movement in this play. It is intended that their contemporary Jewish faith is similar to the 17 th century Jewish belief in false messiah, and neither of them can save them from the suffering of this world. At the same time, through the combination of traditional content and drama, the artistic form of symbolizing modernity, the author expresses his complex attitude towards the traditional Jewish religion and life in the modern world.
【作者單位】： 美國哥倫比亞大學(xué)日耳曼語言文學(xué)系;美國哥倫比亞大學(xué)比較文學(xué)與社會研究所;
【分類號】：I106.3

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