論《移植人》中印裔飛地小印度的多重空間內(nèi)涵
發(fā)布時(shí)間：2018-12-21 10:09
【摘要】：美國(guó)印裔作家桑杰·尼岡的第二部小說(shuō)《移植人》中的空間符號(hào)和空間關(guān)系通過(guò)印裔飛地小印度呈現(xiàn)出多重空間內(nèi)涵:一方面,主流社會(huì)在種族及階級(jí)概念、白人至上、精英文化等種族主義和階級(jí)主義意識(shí)形態(tài)指導(dǎo)下,排斥小印度,把小印度構(gòu)建成政治意義上的"他者"空間;另一方面,小印度居民也努力排斥主流文化,把小印度建構(gòu)成文化意義上的家園空間,以延續(xù)和保證其印裔文化身份,雙向排斥合力形成族裔飛地;此外,經(jīng)濟(jì)因素和印裔對(duì)種族歧視的規(guī)避也對(duì)小印度的形成起到了推波助瀾的作用。同時(shí),無(wú)論小印度及其居民們多么努力捍衛(wèi)其印度性,他們都不可避免受到美國(guó)主流文化的影響而體現(xiàn)流動(dòng)、模糊和雜糅等第三空間特性,暗合"離散"族群與祖國(guó)地理意義上的疏離和心理意義的牽掛所構(gòu)成的矛盾和沖突。
[Abstract]:The spatial symbols and spatial relations in American Indian writer Sanjay Niegan's second novel, Transplant, show many spatial connotations through the Indian enclave, Little India: on the one hand, the mainstream society is dominated by race and class concepts, white supremacy. Under the guidance of racism and class ideology, such as elite culture, the small India is excluded, and the small India is constructed into a "other" space in the political sense. On the other hand, small Indian residents also strive to exclude mainstream culture, build small India into a cultural sense of home space, in order to continue and ensure their Indian cultural identity, two-way exclusion and resultant formation of ethnic enclaves; In addition, economic factors and the avoidance of racial discrimination by Indians also contributed to the formation of Little India. At the same time, no matter how hard little India and its inhabitants try to defend their Indian character, they are inevitably influenced by the mainstream American culture and embody a third spatial characteristic, such as mobility, ambiguity and hybridity. The contradiction and conflict between the "discrete" ethnic group and the geographical meaning of the motherland and the concern for the psychological meaning.
【作者單位】： 西華師范大學(xué)外國(guó)語(yǔ)學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金青年項(xiàng)目“20世紀(jì)美國(guó)少數(shù)族裔小說(shuō)的空間歷史記憶與重構(gòu)研究”(11CWW022)的階段性成果
【分類號(hào)】：I712.074
本文編號(hào)：2388767
[Abstract]:The spatial symbols and spatial relations in American Indian writer Sanjay Niegan's second novel, Transplant, show many spatial connotations through the Indian enclave, Little India: on the one hand, the mainstream society is dominated by race and class concepts, white supremacy. Under the guidance of racism and class ideology, such as elite culture, the small India is excluded, and the small India is constructed into a "other" space in the political sense. On the other hand, small Indian residents also strive to exclude mainstream culture, build small India into a cultural sense of home space, in order to continue and ensure their Indian cultural identity, two-way exclusion and resultant formation of ethnic enclaves; In addition, economic factors and the avoidance of racial discrimination by Indians also contributed to the formation of Little India. At the same time, no matter how hard little India and its inhabitants try to defend their Indian character, they are inevitably influenced by the mainstream American culture and embody a third spatial characteristic, such as mobility, ambiguity and hybridity. The contradiction and conflict between the "discrete" ethnic group and the geographical meaning of the motherland and the concern for the psychological meaning.
【作者單位】： 西華師范大學(xué)外國(guó)語(yǔ)學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金青年項(xiàng)目“20世紀(jì)美國(guó)少數(shù)族裔小說(shuō)的空間歷史記憶與重構(gòu)研究”(11CWW022)的階段性成果
【分類號(hào)】：I712.074
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