發(fā)布時間：2018-11-16 21:22

【摘要】：龐德的《詩章》語言多、文體多、新詞多,令人目不暇接,給人以前所未有的閱讀體驗。包羅萬象的知識,往往表現(xiàn)為非中心、非系統(tǒng)、拼貼式的語言結(jié)構(gòu),需要借助頂針等所謂"套材"的重組之后,才能建立起各種知識之間的內(nèi)在關(guān)聯(lián)�！对娬隆穼ι举|(zhì)的追求和對生命歷程的探究,則在時空軸上詩化地構(gòu)筑起多元的坐標(biāo)。中心的建構(gòu)過程即對生命本身的書寫過程,而在中心化與邊緣化的動態(tài)運動中,既用人衡量萬物,也用萬物衡量人,則體現(xiàn)了龐德主張的表意語言的強大表現(xiàn)力。
[Abstract]:Pound's Poems are full of language, style and new words. The all-encompassing knowledge often manifests itself as a non-central, non-systematic, collage language structure that needs to be reorganized with the help of so-called "thimbles" such as thimbles. The pursuit of the essence of life and the exploration of the course of life can establish the internal relation between all kinds of knowledge. On the axis of time and space, the multiple coordinates are constructed poetically. The construction process of the center is the writing process of life itself, and in the dynamic movement of centralization and marginalization, it reflects the strong expressive power of the ideographic language advocated by pound.
【作者單位】： 西南大學(xué)外國語學(xué)院;美國加州大學(xué)伯克利分校;西南大學(xué);
【分類號】：I712.072

【相似文獻】

相關(guān)期刊論文 前1條

1 張衛(wèi)娣;日本新流行語[J];解放軍外國語學(xué)院學(xué)報;2000年06期

，

本文編號：2336676