【摘要】：文章是《敘事本質(zhì)》(2006)一書第八章"敘事理論40年(1966-2006):一種敘事"的續(xù)篇。文章無意對所有敘事理論的最新發(fā)展都做面面俱到的考察,而是重點擷取其中五個最有影響力的理論流派與研究話題加以討論,并以對伊恩·麥克尤恩小說《贖罪》的解讀為例,試圖展示每種敘事學的最新理論發(fā)展所具有的闡釋效果。其中,前兩種發(fā)展趨勢與2006年文章中所指出的敘事研究領(lǐng)域日益強調(diào)的"不穩(wěn)定性"有關(guān),即非自然敘事和虛構(gòu)性理論;其他三種發(fā)展趨勢則與研究方法有關(guān),即認知理論視閾中的思維理論(或稱思維閱讀術(shù))、女性主義理論視閾中的交叉性概念以及修辭理論視閾中的敘述交流模式。
[Abstract]:The article is a sequel to Chapter 8 of narrative essence (2006), 40 years of narrative Theory (1966-2006): a narrative. The article has no intention of examining all the latest developments of narrative theory, but focuses on the discussion of five of the most influential theoretical schools and research topics. Taking the interpretation of Ian McEwan's Atonement as an example, this paper tries to show the effect of the latest development of narratology. Among them, the first two trends are related to the increasing emphasis on "instability" in the field of narrative research in 2006, that is, unnatural narration and fictitious theory, while the other three trends are related to research methods. That is the thinking theory (or thinking reading) in the perspective of cognitive theory, the concept of intersection in the perspective of feminist theory and the mode of narrative communication in the perspective of rhetoric theory.
【作者單位】： 俄亥俄州立大學;上海交通大學外國語學院;
【分類號】：I561.074

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