【摘要】：在日本近代文學(xué)史上,有一顆閃耀的明星,此人便是著名的女性作家與謝野晶子。出生于明治初年的她,一邊忍受著陳舊家庭的束縛,一邊廣泛閱讀,充實(shí)自己的精神生活。21歲的時(shí)候,晶子加入當(dāng)時(shí)的關(guān)西青年文學(xué)會(huì),從此正式走上了詩(shī)歌創(chuàng)作之路。晶子一生筆耕不輟,創(chuàng)作了大量的詩(shī)歌佳作,深受大家的喜歡。其中,她的處女詩(shī)集《亂發(fā)》以其大膽的表達(dá)、不羈的文風(fēng)著名,一經(jīng)發(fā)行,便在日本文壇掀起了一場(chǎng)狂風(fēng)暴雨,奠定了晶子在日本近代文壇的地位。該詩(shī)集是以明治時(shí)期新舊思想混雜的日本為背景,記敘了晶子不畏封建禮教、追求自由和愛(ài)情的過(guò)程。在這個(gè)過(guò)程中,晶子深深體會(huì)到女性被束縛,被壓迫的悲哀,她在關(guān)注自身體驗(yàn)的同時(shí),也從女性的視角關(guān)注女性的生存環(huán)境,可以說(shuō)該作品充分體現(xiàn)了晶子的女性意識(shí)。從現(xiàn)有的先行研究來(lái)看,國(guó)內(nèi)的《亂發(fā)》研究大多都是從浪漫主義的角度出發(fā),且數(shù)量相對(duì)較少。在日本方面,很多學(xué)者從不同的角度對(duì)該作品進(jìn)行了分析。通過(guò)對(duì)先行研究的整理、分析,筆者認(rèn)為從女性意識(shí)的角度來(lái)分析《亂發(fā)》具有一定的可行性。本論文主要將《亂發(fā)》中的女性意識(shí)分為身體意識(shí)和精神覺(jué)醒兩部分。身體意識(shí)這一方面,又分為女性美麗的外表和女性敏銳的身體感覺(jué)兩部分。精神覺(jué)醒這一方面,首先是論述晶子通過(guò)自身體驗(yàn)實(shí)現(xiàn)了女性情念的解放;其次,通過(guò)分析《亂發(fā)》中關(guān)于山川登美子和舞姬的詩(shī)歌,從中提煉出晶子的自我反省以及其內(nèi)心對(duì)新時(shí)代女性的向往。再次,通過(guò)分析具體的詩(shī)歌,論述封建制度的本質(zhì)是壓迫人的自由,剝奪人的權(quán)利,并提煉出晶子對(duì)新型兩性關(guān)系的追求。最后,筆者對(duì)晶子女性意識(shí)產(chǎn)生的原因進(jìn)行了分析。
[Abstract]:In the history of modern Japanese literature, there is a shining star, the famous female writer Yosheno Yosheno. Born in the early Meiji years, she endured the shackles of the old family while reading extensively to enrich her spiritual life. When she was 21 years old, Jingzi joined the Kansai Youth Literary Society at that time, and then formally embarked on the road of poetry creation. Jingzi wrote a great deal of poems, which were loved by everyone. Among them, her virginity poetry anthology is famous for its bold expression, unruly style, once released, it set off a raging storm in the Japanese literary world, and established Jingzi's position in the modern Japanese literary world. The collection of poems is based on the old and new ideas of the Meiji period of Japan as a background, describes Jingzi not afraid of feudal ethics, the pursuit of freedom and love process. In this process, Jingzi deeply realized the sadness of being bound and oppressed by women. While paying attention to her own experience, she also paid attention to the living environment of women from the perspective of women. It can be said that this work fully embodies the female consciousness of Jingzi. From the current research, most of the domestic researches are from the perspective of romanticism, and the number is relatively small. In Japan, many scholars have analyzed the work from different angles. The author thinks that it is feasible to analyze hair disorder from the angle of female consciousness. This thesis divides the female consciousness into two parts: body consciousness and spiritual awakening. This aspect of body consciousness is divided into two parts: the beautiful appearance of women and the sharp body sensation of women. In this aspect of spiritual awakening, first of all, it is discussed that Jingzi has realized the emancipation of female feelings through her own experience; secondly, through the analysis of poems about Yamagawa and Dumiji in "hair in chaos", From the extraction of Jingzi self-examination and its inner yearning for the new era of women. Thirdly, through the analysis of specific poems, the essence of feudal system is to oppress people's freedom, deprive people of their rights, and extract Jingzi's pursuit of a new type of gender relationship. Finally, the author analyzes the causes of the child's sexual consciousness.
【學(xué)位授予單位】：四川外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I313.072

【參考文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 周楊;電視劇與現(xiàn)實(shí)中的女性意識(shí)差異研究[D];暨南大學(xué);2014年

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本文編號(hào)：2228136