《米格爾大街》中人物的狂歡化解讀
發(fā)布時間：2018-08-12 12:18
【摘要】：《米格爾大街》開啟了奈保爾長達半個世紀的寫作生涯,并在他的生活中起著舉足輕重的作用。這是一部有17個短篇故事組成的故事集,故事集中殖民地人們過著貧窮悲慘的生活,卻只能苦中作樂。米格爾大街上形形色色的人物不斷地被加冕和脫冕,甚至機械地模仿殖民國家的詩人、法官和語言等,這些正與巴赫金狂歡詩學中的狂歡儀式相契合。不僅如此,人們的日常語言就像具有兩副面孔的雅努斯,表達著雙重含義,他們所做的一切荒唐的行為都是為了那遙不可及的烏托邦以及實現(xiàn)一定程度上對殖民文化的顛覆。由此可見,米格爾大街上的人們都沉浸在自己的狂歡生活和非官方的世界中,整條大街到處都滲透著狂歡的氛圍。國內(nèi)外大部分學者都致力于《米格爾大街》的敘事技巧、邊緣性研究和后殖民主義分析,然而很少有學者從狂歡化的角度來解讀。本文試圖從狂歡化角度分析那些米格爾大街上的或傻或瘋的人物各式各樣的狂歡生活,探索他們的狂歡化世界感受以及狂歡生活背后的辛酸苦楚。本論文主要分為五個部分。第一部分主要是維·蘇·奈保爾及其作品《米格爾大街》的簡單介紹和國內(nèi)外的研究現(xiàn)狀,并梳理理論框架,闡述研究動機和意義以及文章的布局結構。主體部分中第一章剖析瘋癲人物的狂歡儀式,主要有曼曼和大腳的加冕與脫冕和摩根與B·華茲華斯的模仿。這些瘋瘋癲癲的人物在長期的殖民統(tǒng)治下,以各自的儀式過著狂歡生活,最終也逃不過夢醒一場空的結局。第二章闡釋人物在狂歡生活中的話語,主要包括地方民間音樂——克里普索小調(diào),間接的話語反諷以及一些粗鄙的語言。米格爾大街上的人們的狂歡訴求,無時無刻不體現(xiàn)在他們的言語上,借此間接表達不滿的情感。第三章從狂歡廣場上的烏托邦生活,顛覆和雙重性三方面解讀狂歡化世界感受。最后是結論部分,主要總結米格爾大街上不同人物的狂歡儀式,狂歡語言和狂歡化世界感受,提出了狂歡生活的哲學意義,再次審視殖民統(tǒng)治下人們注定的結局。米格爾街上形形色色的人物都在過著一種狂歡化生活來使自己忘卻那毫無希望的生活所帶來的悲痛和無奈,然而當他們回到真實生活中時,卻意識到依然擺脫不了被殖民的窘境。
[Abstract]:Miguel Street opened Naipaul's half-century writing career and played an important role in his life. This is a collection of 17 short stories, which focus on the poverty and misery of the colonists. All kinds of characters on Miguel Street are constantly crowned and discrowned, even mechanically imitating the poets, judges and language of colonial countries, which are in accord with the carnival rituals in Bakhtin's carnival poetics. Not only that, people's everyday language, like Janus with two faces, expresses a double meaning, and all the absurd acts they do are for the inaccessible utopia and for some degree of subversion of colonial culture. Thus, people on Miguel Street are immersed in their own carnival life and unofficial world, the whole street permeated with carnival atmosphere. Most scholars at home and abroad devote themselves to the narrative techniques, marginal studies and post-colonial analysis of Miguel Street. However, few scholars interpret it from the perspective of carnival. This paper attempts to analyze all kinds of carnival life of those silly or crazy characters on Miguel Street from the perspective of carnival, to explore their carnival world feelings and the bitterness behind carnival life. This paper is divided into five parts. The first part is mainly about the brief introduction of Wei Su Naipaul and his work Miguel Street and the present research situation at home and abroad, combing the theoretical framework, expounding the motivation and significance of the research and the layout structure of the article. The first chapter of the main part analyzes the carnival ceremony of crazy characters, mainly including the coronation and de-coronation of Manman and Bigfoot and the imitation of Morgan and B. Wordsworth. These crazy characters, under the long colonial rule, live a carnival life with their own rituals, and finally can not escape the dream of an empty ending. The second chapter explains the characters' words in the carnival life, mainly including local folk music-Kripuso minor, indirect discourse irony and some vulgar language. The revelry demands of people on Miguel Street are reflected in their words all the time, thus indirectly expressing their feelings of discontent. The third chapter interprets the carnival world feeling from utopia life, subversion and duality of carnival square. The last part is the conclusion, which mainly summarizes the carnival ceremony, carnival language and carnival world feeling of different characters on Miguel Street, puts forward the philosophical significance of carnival life, and again examines the doomed outcome of people under colonial rule. All the characters on Miguel Street were living a carnival life to make themselves forget the grief and helplessness of that hopeless life, but when they returned to real life, But realize that still can't get rid of the predicament of colonization.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I561.074
本文編號：2179032
[Abstract]:Miguel Street opened Naipaul's half-century writing career and played an important role in his life. This is a collection of 17 short stories, which focus on the poverty and misery of the colonists. All kinds of characters on Miguel Street are constantly crowned and discrowned, even mechanically imitating the poets, judges and language of colonial countries, which are in accord with the carnival rituals in Bakhtin's carnival poetics. Not only that, people's everyday language, like Janus with two faces, expresses a double meaning, and all the absurd acts they do are for the inaccessible utopia and for some degree of subversion of colonial culture. Thus, people on Miguel Street are immersed in their own carnival life and unofficial world, the whole street permeated with carnival atmosphere. Most scholars at home and abroad devote themselves to the narrative techniques, marginal studies and post-colonial analysis of Miguel Street. However, few scholars interpret it from the perspective of carnival. This paper attempts to analyze all kinds of carnival life of those silly or crazy characters on Miguel Street from the perspective of carnival, to explore their carnival world feelings and the bitterness behind carnival life. This paper is divided into five parts. The first part is mainly about the brief introduction of Wei Su Naipaul and his work Miguel Street and the present research situation at home and abroad, combing the theoretical framework, expounding the motivation and significance of the research and the layout structure of the article. The first chapter of the main part analyzes the carnival ceremony of crazy characters, mainly including the coronation and de-coronation of Manman and Bigfoot and the imitation of Morgan and B. Wordsworth. These crazy characters, under the long colonial rule, live a carnival life with their own rituals, and finally can not escape the dream of an empty ending. The second chapter explains the characters' words in the carnival life, mainly including local folk music-Kripuso minor, indirect discourse irony and some vulgar language. The revelry demands of people on Miguel Street are reflected in their words all the time, thus indirectly expressing their feelings of discontent. The third chapter interprets the carnival world feeling from utopia life, subversion and duality of carnival square. The last part is the conclusion, which mainly summarizes the carnival ceremony, carnival language and carnival world feeling of different characters on Miguel Street, puts forward the philosophical significance of carnival life, and again examines the doomed outcome of people under colonial rule. All the characters on Miguel Street were living a carnival life to make themselves forget the grief and helplessness of that hopeless life, but when they returned to real life, But realize that still can't get rid of the predicament of colonization.
【學位授予單位】：河南師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I561.074
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