【摘要】：《逆天》提供了頹廢者德澤森特病態(tài)審美趣味的"癥候"。如果從新實(shí)踐論美學(xué)的相關(guān)論點(diǎn)出發(fā),可以發(fā)現(xiàn)德澤森特在其審美體驗(yàn)中呈現(xiàn)了人的自我意識(shí)本質(zhì)結(jié)構(gòu),他以實(shí)踐的方式揭示了"藝術(shù)與美"的本質(zhì):對(duì)人的情感的確證。德澤森特的審美體驗(yàn)過(guò)程即"自然向人生成"的異化表現(xiàn),其病態(tài)化"癥候"是由于情感無(wú)法借助對(duì)象化而自由傳達(dá)所導(dǎo)致的"自由感"的喪失,他的遭遇提供了一個(gè)特定時(shí)代的"精神標(biāo)本"。
[Abstract]:Inverse Heaven provides the "symptom" of the decadent Vicente's morbid aesthetic taste. If we proceed from the relevant arguments of the New practical Aesthetics, we can find that in his aesthetic experience, Denzente presents the essential structure of man's self-consciousness, and he reveals the essence of "Art and Beauty" in a practical way: the confirmation of human emotion. The aesthetic experience of Vicente is the dissimilation of "nature to life", and its morbid "symptom" is the loss of "sense of freedom" caused by the loss of "freedom" caused by the inability of emotion to convey freely with the aid of objectification. His experience provides a "spiritual specimen" of a particular era.
【作者單位】： 華中科技大學(xué)中文系;浙江工商大學(xué)人文與傳播學(xué)院;
【基金】：國(guó)家社科基金重大項(xiàng)目“19世紀(jì)西方文學(xué)思潮研究”(15ZDB086)的階段性研究成果
【分類(lèi)號(hào)】：I565.074
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本文編號(hào)：2147195