【摘要】：文章嘗試從僑易學(xué)與心理學(xué)的角度出發(fā),對歌德成長過程中"僑"、"易"、"學(xué)"三者之間的辯證關(guān)系進行梳理,著重考察其藝術(shù)成長中詩歌與繪畫兩種才能與創(chuàng)作之間的關(guān)系,對歌德的價值觀與藝術(shù)觀進行反思,提出歌德所追求的最高價值就是"美與和諧"。同時對于歌德與"狂飆突進運動"的關(guān)系問題提出質(zhì)疑,認為歌德并非真正的"狂飆突進者",他在所謂的"狂飆突進"時期的表現(xiàn)其實乃是詩人在尋找自己風(fēng)格和探索藝術(shù)道路時的積極嘗試而已。雖然其風(fēng)格的真正形成開始于意大利之行,但事實上,歌德一直沒有背離自己對于最高價值的追求。
[Abstract]:This paper tries to sort out the dialectical relationship between "overseas Chinese", "Yi" and "study" in the process of Goethe's growing up from the angle of the study of overseas Chinese and psychology, focusing on the relationship between poetry and painting ability and creation in his artistic growth. Reflecting on Goethe's values and artistic views, the author points out that the highest value Goethe pursues is beauty and harmony. At the same time, he questioned the relationship between Goethe and the "surge movement." It is believed that Goethe is not a true "outburst", and that his performance in the so-called "stormy advance" period is actually an active attempt by the poet to find his own style and explore the art road. Although its style really began on a trip to Italy, in fact, Goethe has never deviated from his pursuit of the highest value.
【作者單位】： 上海外國語大學(xué)德語系;
【基金】：國家社科基金重大項目“歌德全集翻譯”(項目編號:14ZDB090)
【分類號】：I516.06
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本文編號：2143403