勞倫斯詩歌的悲憫情懷與多維意象
發(fā)布時(shí)間:2018-06-28 15:32
本文選題:勞倫斯 + 詩歌 ; 參考:《外國文學(xué)》2016年04期
【摘要】:英國作家D.H.勞倫斯詩歌的審美獨(dú)特性表現(xiàn)為濃厚的悲憫情懷浸透于凝練沉郁的多維意象。這種悲憫情懷在他早期、中期和晚期的詩歌創(chuàng)作中都有較大程度的體現(xiàn),飽含著他對愛情的迷離、人性的異化和死亡的在場等多方面的反思。這種審美反思主要通過比喻意象、寫實(shí)意象和幻覺意象等多維模式而得以呈現(xiàn),使其詩歌充滿了強(qiáng)烈的藝術(shù)張力。多維意象呈現(xiàn)出的悲憫情懷是勞倫斯詩歌的顯著的審美情感。
[Abstract]:British writer D. H. The aesthetic uniqueness of Lawrence's poetry is embodied in the deep compassion and the condensed multidimensional images. This compassion is reflected to a great extent in his early, middle and late poetry creation, which contains his reflections on love, alienation of human nature and the presence of death. This kind of aesthetic reflection is mainly presented through multi-dimensional models such as figurative image realistic image and hallucination image which makes its poetry full of strong artistic tension. The compassion presented by multidimensional images is a significant aesthetic emotion in Lawrence's poetry.
【作者單位】: 惠州學(xué)院外語系;
【基金】:廣東省哲學(xué)社會(huì)科學(xué)“十一五”規(guī)劃項(xiàng)目(GD10XWW02)
【分類號】:I561.072
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1 吳曉玲;屠格涅夫散文詩中的悲憫情懷[J];浙江工商職業(yè)技術(shù)學(xué)院學(xué)報(bào);2003年02期
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