本文選題：羅伯特·哈斯 + 語言��； 參考：《當代外國文學》2016年01期

【摘要】：語言因為人的干預逐漸叛離其自然性并在現(xiàn)代行至極端。詩人羅伯特·哈斯試圖在對語言的懷疑中重建對它的信任,他將語言帶回其發(fā)生和進化的自然史境遇進行重審,將語言在自然發(fā)展中的人文戳記看作是人之為生物有機體與其生存環(huán)境進行互動的結果。揭示主體感覺世界的過程及感覺的倫理是哈斯詩歌的重要審美模式。詩歌對世界的關系既非映射亦非投射而是介乎其間,在摹仿和虛構之間揭示和創(chuàng)造世界;同時,詩歌將語言的圖像功能和政治表征融為一體,其間蘊含感覺經(jīng)驗的倫理秩序和浪漫派的實用政治。
[Abstract]:Language gradually defected from its naturalness because of human intervention and went to extremes in modern times. The poet Robert Haas tried to rebuild his trust in language in his doubts about it, bringing it back to its natural history of occurrence and evolution. The humanistic stamp of language in the development of nature is regarded as the result of the interaction between human beings as living organisms and their living environment. Revealing the process of subjective perception of the world and the ethics of feeling is an important aesthetic model in Haas's poetry. The relationship between poetry and the world is neither a mapping nor a projection, but a section in which the world is revealed and created between imitation and fiction. At the same time, poetry merges the image function and political representation of language into one. Meanwhile, it contains the ethical order of sensory experience and the practical politics of romanticism.
【作者單位】： 大連理工大學外國語學院;
【基金】：教育部人文社科研究規(guī)劃基金項目“過程與關系:美國現(xiàn)代詩歌形式的實用主義哲學研究”(14YJA752018)的中期成果
【分類號】：I712.072

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