本文選題：任璧蓮 + 身份表演�。� 參考：《華文文學(xué)》2016年06期

【摘要】：美國華裔作家任璧蓮在其第二部小說《莫娜在應(yīng)許之地》中,成功嘗試了一種獨(dú)特的文學(xué)表現(xiàn)形式,即通過人物表演性的角色和身份扮演,使主人公在成長過程中獲得探索自我、定義自我的獨(dú)特途徑。以青少年自我成長的心理分析以及巴特勒身份操演理論觀照此小說,可發(fā)現(xiàn)"身份表演"作為作品的表現(xiàn)形式很好地表達(dá)了作品的主題,傳達(dá)了作者的文化思想。任璧蓮在作品中不僅以流動(dòng)性文化身份觀作為其反本質(zhì)主義文化思想的核心,更將文化身份建構(gòu)作為主體發(fā)展和自我完善旅程中一個(gè)動(dòng)態(tài)性文化過程進(jìn)行深入的探索,從而超越了族裔身份范疇,上升到更具普遍意義的人的主體性關(guān)懷層面上。作家巧妙地將這一系列深入的文化思考,寓寄于身份表演這一指符上,使其展現(xiàn)出不容忽視的詩學(xué)意義。
[Abstract]:In her second novel, Mona in the promised Land, the Chinese-American writer Billian has successfully tried a unique form of literary expression, that is, through the role and identity play of character acting. So that the protagonist in the process of growth to explore themselves, define the unique way of self. Judging from the psychological analysis of teenagers' self-growth and the theory of Butler's identity performance, it can be found that "identity performance" as the expression form of the work well expresses the theme of the work and conveys the author's cultural thought. In her works, Ren Bilian not only regards the concept of mobile cultural identity as the core of her anti-essentialism cultural thought, but also explores the construction of cultural identity as a dynamic cultural process in the course of subject development and self-improvement. Therefore, it transcends the category of ethnic identity and rises to the level of subjective concern of people of more universal significance. The writer cleverly puts this series of deep cultural thinking on the symbol of identity performance, which makes it show the poetic significance which can not be ignored.
【作者單位】： 暨南大學(xué)外國語學(xué)院;
【基金】：教育部人文社科基金項(xiàng)目“面具的政治:華裔美國文學(xué)‘身份表演’書寫研究”(項(xiàng)目批準(zhǔn)號(hào):14YJA752017)
【分類號(hào)】：I712.074
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本文編號(hào)：2037963