本文選題：西爾維婭·普拉斯 + 存在主義�。� 參考：《北京外國(guó)語(yǔ)大學(xué)》2017年碩士論文

【摘要】：西爾維婭·普拉斯(1932-1963)是當(dāng)代美國(guó)著名作家。她的詩(shī)歌集于1982年獲得普利策文學(xué)獎(jiǎng),普拉斯成為第一位去世后獲此殊榮的作家。《鐘形罩》是她發(fā)表的唯一一部長(zhǎng)篇小說(shuō)。作品講述了年輕的女大學(xué)生艾斯特·格林伍德于1953年6月在紐約實(shí)習(xí)、隨后陷入抑郁、不得不在精神病院接受治療的經(jīng)歷。小說(shuō)取材于作者的真實(shí)經(jīng)歷,是一部半自傳體小說(shuō)。國(guó)內(nèi)外對(duì)《鐘形罩》的研究主要集中在四個(gè)方面：神話原型研究、女性主義研究、心理學(xué)研究以及從政治、意識(shí)形態(tài)等角度進(jìn)行文化解讀。而從存在主義角度研究該小說(shuō)的文獻(xiàn)非常少。國(guó)內(nèi)為數(shù)不多的幾篇關(guān)于存在主義與《鐘形罩》的文章,把重點(diǎn)放在"荒誕"、"異化"等概念上。有些文章甚至把存在主義等同于虛無(wú)主義,認(rèn)為自殺是一種反抗生命虛無(wú)與荒誕、承擔(dān)對(duì)人類關(guān)懷的方式。這些文章忽視了存在主義的核心概念:"自由選擇"。通過(guò)自由選擇,人們能夠找到真實(shí)的存在。本文運(yùn)用"自由選擇"這個(gè)概念來(lái)論述艾斯特是如何尋找真實(shí)的自我,構(gòu)建其藝術(shù)家身份的。艾斯特的抗?fàn)幏从沉舜嬖谥髁x的精華,即每個(gè)人都能夠?qū)ψ约核幍沫h(huán)境做出積極回應(yīng),構(gòu)建真實(shí)的自我。在20世紀(jì)50年代的美國(guó),人們期望中產(chǎn)階級(jí)的白人女性扮演具有奉獻(xiàn)精神的賢妻良母的角色。這種社會(huì)話語(yǔ)限制了艾斯特追求自己的詩(shī)人理想,造成了她的異化與分裂,讓她感覺(jué)被困在"鐘形罩"當(dāng)中,無(wú)法進(jìn)一步發(fā)展自己。艾斯特拒絕社會(huì)對(duì)女性種種刻板的定義,挑戰(zhàn)社會(huì)對(duì)男女貞潔問(wèn)題的雙重標(biāo)準(zhǔn),顛覆了傳統(tǒng)的"純潔女孩"形象。最后論文得出結(jié)論,認(rèn)為盡管艾斯特沒(méi)有完全解決女性角色與女性藝術(shù)家之間的矛盾,但在小說(shuō)即將結(jié)束時(shí)發(fā)出了自己作為一名女性藝術(shù)家的聲音,挑戰(zhàn)了女人天生具有母性、在聰明才智方面不如男性、只能在家庭生活中實(shí)現(xiàn)自我的觀點(diǎn)。
[Abstract]:Sylvia Plath (1932-1963) is a famous contemporary American writer. Her poetry won the Pulitzer prize for literature in 1982. Plath became the first writer to win this honor. "Bell mask >" is the only novel she published. The work tells the young female student Esther Greenwood in New York in New York. About the internship, then falling into depression and having to be treated in a mental hospital. The novel is based on the author's real experience, a semi autobiographical novel. The research on the bell shaped cover is mainly focused on four aspects: mythological prototype research, feminist research, psychological research, and political, ideological and other perspectives. There are few articles about existentialism and "bell shaped", which focus on the concept of "absurdity" and "alienation". Some articles even equate existentialism with nihilism, and believe that suicide is a kind of rebellion against life nihilism and absurdity. These articles ignore the core concept of Existentialism: "free choice". Through free choice, people can find real existence. This article uses the concept of "free choice" to discuss how ELST seeks true self and constructs his artist's identity. The resistance of Esst reflects the essence of existentialism. In the United States in the 1950s, the white women of the middle class were expected to play the role of a dedicated wife and good mother. This social discourse limits the pursuit of his poet's ideal, resulting in her alienation and distinction. The crack, which makes her feel trapped in the "bell shaped mask", is unable to further develop herself. Esstat refuses to define the stereotypes of women in society, challenges the dual standards of chastity between men and women, and subverts the traditional "pure girl" image. Finally, the thesis concludes that although EST does not completely solve female role and female art The contradiction between the artists, but at the end of the novel, he sent out his own voice as a female artist, challenging women to be born with maternal instincts, less intelligent than men, and only to realize their own views in family life.
【學(xué)位授予單位】：北京外國(guó)語(yǔ)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I712.074

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本文編號(hào)：1981393