本文選題：貝絲·亨利 + 《芳心之罪》�。� 參考：《南京師范大學(xué)》2017年碩士論文

【摘要】：貝絲·亨利(Beth Henley 1952-)是當(dāng)今美國戲劇界著名劇作家,她的作品主要圍繞南方家庭生活中的女性及其命運(yùn)展開,《芳心之罪》就是其中的一篇,它是貝絲·亨利迄今為止最有影響力的劇作,曾獲得包括普利策獎以及紐約戲劇評論家協(xié)會獎在內(nèi)的諸多獎項(xiàng)。劇中主人公瑪格麗特姐妹在父權(quán)社會中飽受壓迫,試圖從家庭的邊緣走向中心,但最終因三姐妹未意識到擁有獨(dú)立空間的重要性,沒有努力追求更多的權(quán)力與空間,仍然處于邊緣地位。本論文以列斐伏爾、索亞的理論為支撐,采用文本細(xì)讀的方法,對貝絲·亨利的戲劇《芳心之罪》中的女性個人空間進(jìn)行了解讀,旨在揭示女性在家庭空間中的從屬地位,探討貝絲·亨利在作品中所展現(xiàn)的美國南部小鎮(zhèn)中女性的生存空間及其為拓展自身空間所做的努力。引言部分簡述了作家生平及其成長經(jīng)歷,并對其代表作《芳心之罪》進(jìn)行概述,同時梳理了目前國內(nèi)外貝絲·亨利的研究現(xiàn)狀。論文首先分析了瑪格麗特三姐妹在父權(quán)社會里處于極度不平衡空間關(guān)系的狀態(tài),指出這種現(xiàn)象的產(chǎn)生一方面是因?yàn)槭艿侥行陨鐣臻g的擠壓,另一方面受到家庭內(nèi)部空間的監(jiān)視,因而無法在屬于自己的空間里發(fā)聲。接著,論文闡述了三姐妹在不平衡的家庭空間中被邊緣化的原因及其表現(xiàn)形式,揭示三姐妹無意識地將自己邊緣化,從而成為父權(quán)社會奴役的對象的事實(shí)。論文然后進(jìn)一步地討論了隨著男性對女性控制的減弱,同時三姐妹有所醒悟,并采取行動,試圖在家庭空間的邊緣走向中心,但最后并未成功。論文最后一部分通過分析三姐妹在父權(quán)社會中未能真正走向家庭中心,獲得屬于自己空間的困境,揭示了劇作家矛盾的女性主義觀。本文借助空間批評理論對《芳心之罪》中的女性個人空間演變過程進(jìn)行了剖析,以期擴(kuò)充對貝絲·亨利及其作品的研究視角。作品通過分析瑪格麗特三姐妹努力從個人空間邊緣走向中心的失敗過程,揭示了女性在父權(quán)社會中擁有自己獨(dú)立空間的艱難,以及劇作家對待南方女性要求獨(dú)立的矛盾態(tài)度。論文認(rèn)為即使在家庭屬于女性的個人空間,也充滿了意識形態(tài)色彩,有著控制與反控制,邊緣與中心的截然二分。
[Abstract]:Beth Henley Henley is a famous playwright in the United States today. Her works revolve around women and their fate in southern family life. It is the most influential play ever written by Beth Henry, winning awards including the Pulitzer Prize and the New York Academy of Drama critics Award. The protagonist, Marguerite, is oppressed in the patriarchal society and tries to move from the edge of the family to the center, but because the three sisters do not realize the importance of having independent space, they do not strive to pursue more power and space. Still on the edge. Based on the theory of Lefefort and Sawyer, this paper, by means of the method of text reading, interprets the female personal space in Beth Henry's play "the sin of the Heart" in order to reveal the subordinate position of the female in the family space. This paper probes into the living space of women in small towns in the south of the United States and her efforts to expand her own space as shown by Beth Henry in her works. In the foreword part, the writer's life and his growing up experience are briefly described, and his masterpiece, the sin of Fangxin, is summarized, and the present research situation of Beth Henry at home and abroad is also summarized. Firstly, the paper analyzes the extremely unbalanced spatial relationship between the three sisters in the patriarchal society, and points out that this phenomenon arises on the one hand because of being squeezed by the male social space. On the other hand, it is monitored by the inner space of the family, so it can not speak in its own space. Then, the paper expounds the reason of the three sisters being marginalized in the unbalanced family space and their forms of expression, and reveals the fact that the three sisters unconsciously marginalize themselves and thus become the objects of patriarchal society enslavement. The paper then further discusses that with the weakening of male control over women, the three sisters wake up and take action to try to move toward the center on the edge of family space, but it does not succeed in the end. In the last part of the thesis, the author analyzes the three sisters' failure to come to the family center in the patriarchal society and obtains the dilemma of their own space, and reveals the contradictory feminist view of the playwright. With the help of the theory of space criticism, this paper analyzes the evolution of female personal space in Fangxin Crime in order to expand the perspective of research on Beth Henry and her works. Through the analysis of the failed process of Marguerite sisters' efforts to move from the edge of personal space to the center, it reveals the difficulty of women having their own independent space in the patriarchal society and the contradictory attitude of playwrights towards the independence of women in the south. The paper holds that even in the personal space of women in the family, it is also full of ideological color, with control and anti-control, edge and center of the diametrically dichotomy.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I712.073

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