發(fā)布時間：2018-05-26 20:03

  本文選題：散文詩 + 文體獨立��； 參考：《福建師范大學(xué)學(xué)報(哲學(xué)社會科學(xué)版)》2016年04期

【摘要】：散文詩作為一種新文體擁有獨特的體式特征、思想內(nèi)容和審美尺度,其嶄新的藝術(shù)形式不是外在空洞的框架,而是以造形的力量實現(xiàn)并宣布新內(nèi)容的誕生。散文詩的文體身份確認可推動創(chuàng)作的繁榮與理論的建構(gòu),其作為現(xiàn)代漢詩的重要組成部分,有助于重建漢語的詩意造型、增強漢語的創(chuàng)新體驗、拓展?jié)h語的表達空間。借助�？碌臋�(quán)力話語考察散文詩的文體問題可明晰創(chuàng)作實踐與體裁獨立性的追求對文類規(guī)約的反抗意義,推動理論研究進入到更大的文化語境和文藝活動實踐中去。
[Abstract]:As a new style, prose poetry has its unique style characteristics, ideological content and aesthetic standards. Its new artistic form is not an external empty frame, but a formative force to realize and announce the birth of new content. The stylistic identity confirmation of prose poetry can promote the prosperity of creation and the construction of theory. As an important part of modern Chinese poetry, it is helpful to reconstruct the poetic style of Chinese, strengthen the creative experience of Chinese, and expand the expression space of Chinese. By using Foucault's power discourse to investigate the stylistic problems of prose poetry, it is clear that the pursuit of creative practice and genre independence can promote the theoretical research into the larger cultural context and the practice of literary activities.
【作者單位】： 福建警察學(xué)院基礎(chǔ)部;
【基金】：2015年度教育部人文社會科學(xué)研究青年基金項目“中國現(xiàn)代散文詩的文體學(xué)研究”(15YJC751062)階段性成果 2016年度福建省高校新世紀優(yōu)秀人才支持計劃資助
【分類號】：I106.2
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本文編號：1938717