中國魯迅《祝!放c越南吳必素《熄燈》對比研究
發(fā)布時(shí)間:2018-05-07 01:29
本文選題:魯迅 + 吳必素 ; 參考:《廣西民族大學(xué)》2016年碩士論文
【摘要】:文學(xué)作品是一個(gè)民族文化的重要組成部分,直接體現(xiàn)一個(gè)民族的歷史和文化,折射出一個(gè)民族的共同心理與思維方式,深入了解一個(gè)民族的共同心理和思維方式,有利于促進(jìn)與這個(gè)民族的文化交流,進(jìn)而推動(dòng)與其多方面友好往來。中越兩國文化交流源遠(yuǎn)流長,文化歷史發(fā)展過程中有許多借鑒與交叉。魯迅作品《祝!分械摹跋榱稚迸c吳必素(Ngo Tat Tp)作品《熄燈》(Tat Den)中的“阿酉嫂”(chi Dau)處于不同的年代,祥林嫂處于20世紀(jì)20年代,阿酉嫂處于20世紀(jì)30年代,但兩者都是處于東方封建制度即將垮臺的社會歷史階段。在動(dòng)蕩不安的社會變遷中,兩位作家的作品多是反映社會底層疾苦和揭露社會丑惡的題材,《祝福》和《熄燈》就是這樣的作品,但兩部作品又基于各自的現(xiàn)實(shí)社會背景環(huán)境,這些異同因素,形成兩者相比較的可能性與價(jià)值所在.用對比分析的方法,研究兩部作品的異同及異同原因。首先兩位作家的作品在形象內(nèi)涵和藝術(shù)表現(xiàn)等方面有著許多的共同點(diǎn):在主題上都集中表現(xiàn)當(dāng)時(shí)社會的底層勞動(dòng)者,特別是農(nóng)村勞動(dòng)?jì)D女的悲慘命運(yùn);在藝術(shù)表現(xiàn)上魯迅和吳必素都以現(xiàn)實(shí)主義創(chuàng)作手法為主,著重對典型形象進(jìn)行刻畫。但因?yàn)樽骷以趧?chuàng)作目的、動(dòng)機(jī)的細(xì)微差異,兩者在選材角度、藝術(shù)表現(xiàn)上也有所不同。
[Abstract]:Literary works are an important part of a nation's culture. They directly reflect the history and culture of a nation, reflect the common psychology and mode of thinking of a nation, and deeply understand the common psychology and mode of thinking of a nation. To promote cultural exchanges with this nation, and then promote friendly exchanges with its many aspects. The cultural exchanges between China and Vietnam have a long history, and there are many references and intersections in the process of cultural and historical development. "Xianglin Sister" in Lu Xun's "Blessing" and "Ah you Sister" in Wu Pi-su 's "go Tat TpP" work "Tat Denat" are in different ages, Mrs. Xianglin is in the 1920s and Ayou Sister is in the 1930s. But both are in the social and historical stage in which the feudal system of the East is about to fall. In the turbulent social changes, most of the works of the two writers reflect the suffering of the bottom of the society and expose social evils, such works as "Blessing" and "lights out", but the two works are based on their respective realistic social background environment. These similarities and differences form the possibility and value of comparing the two. By means of comparative analysis, this paper studies the similarities and differences of the two works and the reasons for their similarities and differences. First of all, the works of the two writers have a lot in common in the aspects of image connotation and artistic expression. In terms of theme, they all focus on the tragic fate of the underclass workers, especially the rural working women; In artistic expression, Lu Xun and Wu Pi-su both focus on realistic creative techniques, focusing on the typical image. However, because of the subtle differences in the purpose and motivation of the writer's creation, the two are different in terms of selection of material and artistic expression.
【學(xué)位授予單位】:廣西民族大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2016
【分類號】:I106.4-03
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