對“人”的顛覆與美學自由——論德國作家博納文圖拉《守夜》中的破界
發(fā)布時間:2018-05-01 05:38
本文選題:博納文圖拉 + 《守夜》; 參考:《外國文學》2016年05期
【摘要】:德國作家博納文圖拉的小說《守夜》自19世紀初問世之后,不僅因其強烈的顛覆性而久遭冷遇,而且其作者之歸屬歷經了長期的論爭。在后世的研究中,這部似與其時代格格不入的小說恰因強烈的破界與反叛精神而受到關注。本文著重探討的是,這部雖不入主流卻恰好出現在這個時期的作品的特殊性體現在哪些方面,它與當時備受關注的"人"的問題、人類學討論有怎樣的關聯(lián),它在當時的人類學話語和美學話語中有何獨特意義等。
[Abstract]:Since the publication of the German writer Bonaventura's novel Vigil in the early 19th century, it has not only been ignored for a long time because of its strong subversion, but also its author has been subjected to a long period of controversy. In the research of later generations, this novel, which seems to be out of step with its time, has been paid close attention to because of its strong spirit of breaking the boundary and rebellious spirit. This paper focuses on the aspects of the particularity of this work which appears in this period although it is not in the mainstream, and how it relates to the question of "human" and the anthropological discussion, which was paid close attention to at that time. What is its unique meaning in the discourse of anthropology and aesthetics at that time?
【作者單位】: 對外經濟貿易大學外語學院德語系;
【基金】:對外經濟貿易大學中央高;究蒲袠I(yè)務費專項資金資助(15QD03) 國家社科基金項目“1800年前后德語文學的美學轉向研究”(14BWW063)
【分類號】:I516.074
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本文編號:1827995
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