本文選題：白銀時(shí)代 + 東方　； 參考：《上海外國語大學(xué)》2017年博士論文

【摘要】：十九二十世紀(jì)之交是,在世界藝術(shù)史上的一個(gè)特殊的時(shí)期。歐洲和俄羅斯的許多思想家,將它定義為一個(gè)危機(jī)和過渡時(shí)期。十九世紀(jì)末二十世紀(jì)初是俄羅斯的自我價(jià)值重估和公眾意識(shí)發(fā)生根本性變化的時(shí)代。這時(shí)代普遍被稱為白銀時(shí)代。在這個(gè)自我價(jià)值重估的時(shí)代,各流派詩人在世界各地文化尋找新的價(jià)值觀,新的藝術(shù)形式,東方文化也不例外。轉(zhuǎn)向東方,其主要原因是歐洲現(xiàn)代主義中的東方元素潮流的影響。但值得注意的是,在俄羅斯,對(duì)東方的興趣不僅僅是異國情調(diào)的風(fēng)格。白銀時(shí)代文化從風(fēng)格形式,形式的新花樣慢慢轉(zhuǎn)向精神深處,這樣,很快轉(zhuǎn)向了尋求某種統(tǒng)一的宗教神秘主義的世界觀。轉(zhuǎn)向東方意味著排斥歐洲中心主義,文化范式的根本性改變,并相信俄羅斯擔(dān)任文明的使命。論文主要梳理白銀時(shí)代俄羅斯文學(xué)各流派中的東方主題、體裁、形象,述評(píng)各流派中的東方風(fēng)格作品的特征。通過具體的文本分析,從主題、形象等方面深入的分析和論述俄羅斯白銀時(shí)代文學(xué)�！皷|方”指的是:中國、日本、印度、阿拉伯及波斯的穆斯林東方,文明古國(埃及、蘇美爾、亞述等)。論文由緒論、正文、結(jié)語、參考文獻(xiàn)四部分組成。緒論部分回顧俄中兩國學(xué)者在俄羅斯文學(xué)中的東方主題與元素方面的研究歷史以及研究現(xiàn)狀,闡述論文的選題意義、研究方法和創(chuàng)新之處。正文分為五章。第一章《俄羅斯文學(xué)中的東方主題與形象》主要介紹俄羅斯文學(xué)中的東方主題的發(fā)展歷史、白銀時(shí)代俄羅斯文學(xué)與東方主題。第二章《象征主義文學(xué)中的東方主題與形象》分為四節(jié):中國和日本主題與形象,印度主題與形象,伊斯蘭主題與形象,其他文明古國主題與形象。本章中,筆者重點(diǎn)分析巴爾蒙特創(chuàng)作,也提到勃留索夫和別雷。象征主義詩人在東方元素詩中,談了生命輪回和轉(zhuǎn)世論,基督教及伊斯蘭教一神論。因?yàn)?白銀時(shí)代詩人與作家都尋找新的全球同一的世界觀,并且通過了解世界宗教創(chuàng)造新的人類同一的宗教。第三章《阿克梅主義文學(xué)中的東方主題與形象》分為三節(jié):中國和印度主題與形象,伊斯蘭主題與形象,非洲主題與形象。本章中,筆者重點(diǎn)分析古米廖夫創(chuàng)作,并從東方主題和東方形象兩個(gè)層面剖析阿克梅主義文學(xué)創(chuàng)作。詩人筆下的佛教是主要涉及佛教的核心理論——輪回的學(xué)說。他將輪回解釋為孤獨(dú)靈魂的徘徊,并他失去了最初的和諧,誠信。他的非洲主題不僅是《長頸鹿》、《扎拉公主》、《乍得湖》,也包括埃及主題。他的埃及主題不像象征主義的埃及,而古米廖夫引入俄羅斯詩歌“另一個(gè)埃及”,其最重要的元素是基督教的圣地。第四章《未來主義文學(xué)中的東方主題與形象》分為三節(jié):中國和日本主題與形象,印度主題與形象,伊斯蘭主題與形象。本章的研究重點(diǎn)為赫列勃尼科夫筆下的東方。在《沒有T的暴君》中的伊朗,對(duì)詩人來說,是“丟失天堂”,“人間天堂”�！稕]有T的暴君》,一方面,是一種創(chuàng)造新藝術(shù)作品的嘗試,另一方面,詩人在表達(dá)自己統(tǒng)一世界文化和宗教的想法。第五章《現(xiàn)實(shí)主義文學(xué)中的東方主題與形象》分為三節(jié):佛教和印度教主題與形象,伊斯蘭主題與形象,其他文明古國主題與形象。為研究重點(diǎn),筆者選擇布寧的創(chuàng)作,而且如果在以上提到的幾章中,筆者分析詩歌的話,在本章中分析散文和詩歌。結(jié)語部分對(duì)全文進(jìn)行歸納和總結(jié),指出論文存在的不足及今后的研究方向。
[Abstract]:Nineteen twentieth Century was a special period in the history of world art. Many thinkers in Europe and Russia defined it as a crisis and transition period. In the late nineteenth Century and early twentieth Century, it was the era of the revaluation of Russia's self value and the fundamental change of public awareness. This era is generally known as the silver age. In this era of self value revaluation, the poets of all schools in the world seek new values, new forms of art and Oriental Culture in all parts of the world. The main reason for the shift to the East is the influence of the eastern element trend in European modernism. But it is worth noting that in Russia, the interest in the East is not only a foreign country. The style of the silver age. The culture of the silver age turned from style to form and form to the deep spirit, so it quickly turned to a world view of a unified religious mysticism. To the East, the Orient meant the exclusion of European centralism, the fundamental change of cultural paradigm and the mission of Russia to serve as a civilization. The eastern themes, genres and images of the various schools of Russian literature in the silver age are the characteristics of Eastern style works in various schools. Through specific text analysis, the Russian Silver age literature is deeply analyzed and discussed in terms of themes and images. "Orient" refers to the Muslim east of China, Japan, India, Arabia and Persia. Fang, ancient civilizations (Egypt, Sumerian, Assyria, etc.). The thesis consists of four parts: introduction, text, conclusion, and reference. The introduction reviews the history and present situation of the research on the Oriental themes and elements in Russian literature by the Russian and Chinese scholars, and expounds the significance of the topic, the method and the innovation of the thesis. The text is divided into five chapters. The first chapter, the Oriental theme and image in Russian literature, mainly introduces the history of the Oriental theme in Russian literature, the Russian literature and the Oriental theme in the silver age. The second chapter, the Oriental theme and image in the symbolism literature, is divided into four sections: the theme and image of China and Japan, the theme and image of India, the theme of Islam and the Islamic theme In this chapter, the author focuses on the analysis of Balmont's creation, and also mentions the symbolist poets in the Oriental poetry, talking about the life cycle and the theory of reincarnation, the Christian and Islamic monotheism, because the poets and writers in the silver age seek a new global view of the same world, And through understanding the world religion to create a new human religion. The third chapter, the Oriental theme and image in the AACM literature, is divided into three sections: the theme and image of China and India, the theme and image of Islam, and the theme and image of Africa. In this chapter, the author focuses on the creation of the ancient Moore and the eastern and Eastern images of two. An analysis of acme's literary creation. The poet's Buddhism is the core theory of Buddhism, the theory of the samsara. He interpreted the cycle as a lonely soul, and he lost his original harmony and honesty. His African theme was not only "giraffe >" "Princess Zara >" "Lake Chad", but also the Egyptian theme. The Egyptian theme is not like the symbolism of Egypt, but the most important element of the Russian poem "another Egypt" is the Russian poem "another Egypt". The fourth chapter, the Oriental theme and image in the futuristic literature, is divided into three sections: the theme and image of China and Japan, the theme and image of the India, and the Islamic theme and image. The focus of the study is the east of Khlebnikov. In "the tyrant without T", Iran is a "Paradise Lost" and "paradise on earth" for poets. < the tyrant without T >, on the one hand, is an attempt to create a new art work, on the other hand, the poets are expressing their own ideas of the unification of the world culture and religion. The fifth chapter < the real Lord ' The Oriental theme and image in the literature of righteousness are divided into three sections: the theme and image of Buddhism and Hinduism, the theme and image of Islam, the theme and image of other ancient civilizations. In order to focus on the research, the author chooses Bunin's creation, and if in the chapters mentioned above, the author analyzes the prose and poetry in this chapter. Summarize and summarize the full text, pointing out the shortcomings of the paper and the future research direction.

【學(xué)位授予單位】：上海外國語大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2017
【分類號(hào)】：I512.06

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本文編號(hào)：1809950