本文選題：《美學(xué)》 + 感性生活　； 參考：《當(dāng)代戲劇》2016年05期

【摘要】：正一情致,是古漢語中的一個詞,慣常出現(xiàn)在文藝評論文字中。黑格爾在他的《美學(xué)》中,對情致有專門闡述。依黑格爾客觀唯心主義哲學(xué)思想,先于人類社會而游蕩于天地宇宙之間的絕對理念,在各個時代會化為各種各樣的普遍力量。這種普遍力量如果用現(xiàn)代時尚語言來表達(dá),約略相當(dāng)于時代精神,或者一種倫理觀念。在藝術(shù)創(chuàng)作實踐中,尤其在以行動表現(xiàn)人物性格為特征的戲劇作品中,普遍力量須用感性生活形態(tài)
[Abstract]:As a word in ancient Chinese, it is customary to appear in literary criticism. Hegel, in his Aesthetics, has a special exposition on emotion. According to Hegel's philosophy of objective idealism, the absolute idea of wandering between heaven and earth before human society will be transformed into various universal forces in all ages. This universal power, if expressed in modern fashion language, is roughly equivalent to the spirit of the times, or an ethical concept. In the practice of artistic creation, especially in the dramatic works characterized by action to express the character of the characters, the general force must use the form of perceptual life.
【分類號】：I106.3

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1 邱紫華;日本民族意識中的喜劇精神[J];外國文學(xué)研究;1998年04期

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