發(fā)布時間：2018-04-10 18:18

  本文選題：國民性 + 反抗絕望��； 參考：《西北大學學報(哲學社會科學版)》2016年03期

【摘要】：在"暗夜"中探尋光明是大江從魯迅文學中繼承下來的精髓所在。通過對大江《形見之歌》與魯迅《希望》的比較研究發(fā)現(xiàn),直面"希望"與"絕望"的現(xiàn)實問題,二者都是通過敘事者"我"在思想上的認知轉(zhuǎn)變,關(guān)注民族的過去與未來,國家的獨立與復(fù)興。但在表現(xiàn)形式上又存在著明顯不同:直面"黑暗",魯迅是始終凝視"黑暗",將其內(nèi)化為"希望",但其底色仍然為"黑暗";而大江是在凝視"黑暗"的過程中,將其外化為象征"希望"的"星星"或者"新人",在"暗黑"中窺視"星星之火"。魯迅主張"毀壞這鐵屋子的希望",是"改造"主義;大江則力主"寬容"異端下的"希望",是"改良"主義。因此,如果說魯迅是改造國民性的啟蒙家,大江則是改良國民性的啟蒙家。
[Abstract]:Searching for light in Dark Night is the quintessence of the great river inherited from Lu Xun's literature.Through the comparative study of "Song of form" and Lu Xun "Hope", it is found that to face the realistic problems of "hope" and "despair" directly, both of them are concerned about the past and future of the nation through the cognitive transformation of the narrator's "I" in thought.The independence and rejuvenation of the country.But there are obvious differences in the form of expression: facing "darkness" directly, Lu Xun is always staring at "darkness", internalizing it as "hope", but its background color is still "dark", while the big river is staring at "darkness".Externalize it as a star of hope or a new man, peeking at the spark in the dark.Lu Xun advocates that "the hope of destroying this iron house" is "remoulding" doctrine, while Dajiang advocates "tolerant" heretical "hope" and "reform" doctrine.Therefore, if Lu Xun is the enlightenment to reform the national character, Dajiang is the enlightenment to improve the national character.
【作者單位】： 西安交通大學外國語學院;
【基金】：教育部人文社科基金項目(15YJA752003) 陜西省社科項目(2014I24)
【分類號】：I106-03

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