本文選題：法國女作家　切入點：中國想象　出處：《貴州社會科學(xué)》2016年01期

【摘要】：在波伏瓦、文慕貝和克里斯蒂娃等人的《長征》、《中國婦女》、《每個人的中國》等作品中,她們用豐富多樣的想象方式為讀者展現(xiàn)了一個全面而立體的中國形象。在她們的作品中,中國的任何人、事物或現(xiàn)象,都不是單一的質(zhì)點,而是由多種因素、層次、屬性構(gòu)成的復(fù)雜體,與其他的人、事物或現(xiàn)象有著復(fù)雜的相互關(guān)系和相互作用。依據(jù)相似性想象,這些法國女作家呈現(xiàn)了一個驚悚而又和善的中國形象;依據(jù)相近性想象,她們展現(xiàn)了一個發(fā)展、進(jìn)步的中國形象;依據(jù)相反性想象,她們展現(xiàn)了一個動態(tài)、包容的中國形象。經(jīng)由這幾種想象,波伏瓦、克里斯蒂娃、文慕貝等法國女作家瓦解了西方主流意識形態(tài)操控的"黃禍"論和"紅禍"論等文化偏見,為西方讀者敞開了這一時期被西方政治主流話語所遮蔽的真實、復(fù)雜的中國形象,體現(xiàn)了西方女性作家對男性作家話語權(quán)威的一種批判和顛覆。
[Abstract]:In the "long March", "Chinese Women" and "everyone's China" by Bovova, Mumbe and Cristina, they present a comprehensive and three-dimensional Chinese image to the reader in a variety of imaginative ways. Any person, thing or phenomenon in China is not a single particle, but a complex body composed of many factors, levels, and attributes. It has complex interrelations and interactions with other people, things or phenomena. These French women writers present a thrilling and friendly image of China; based on similar imaginations, they present a Chinese image of development and progress; on the contrary, they present a dynamic picture. Inclusive image of China. Through these imaginations, French women writers, such as Bovwa, Cristi, and Mumbe, have disintegrated cultural prejudices such as "yellow peril" and "red peril", which are manipulated by mainstream western ideologies. The real and complicated image of China, which was obscured by the mainstream western political discourse in this period, has been opened up for the western readers, which reflects the criticism and subversion of the discourse authority of the male writers by the western female writers.
【作者單位】： 武漢大學(xué);
【分類號】：I565.06

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