本文選題：文學(xué)經(jīng)典　切入點(diǎn)：視覺轉(zhuǎn)向　出處：《南京社會科學(xué)》2017年04期

【摘要】：文學(xué)經(jīng)典作為一個(gè)民族文化品格與審美精神的承載符號,在"視覺轉(zhuǎn)向"的文化語境中產(chǎn)生了與視覺時(shí)代相契合的審美轉(zhuǎn)向。由語言表意向影像呈現(xiàn)的載體更迭不僅意味著經(jīng)典文本闡釋空間與意義生成策略的改變,同時(shí)也預(yù)示著經(jīng)典評判機(jī)制與審美屬性的內(nèi)在革新,由此衍化出"再經(jīng)典"與"泛經(jīng)典"兩種主要形態(tài)。而文學(xué)經(jīng)典的視覺傳播作為文學(xué)發(fā)展的現(xiàn)代生長點(diǎn),無疑依循于經(jīng)典傳承與視覺時(shí)代的雙重邏輯,由此導(dǎo)向了一種文學(xué)文本視覺闡釋的新模式,從而使得建構(gòu)現(xiàn)代意義上的視覺批評得以可能。
[Abstract]:As a symbol of national cultural character and aesthetic spirit, literary classics, In the cultural context of "visual turn", there has been an aesthetic turn that coincides with the visual era. The change of the carrier of the intended image of the language table means not only the change of the interpretation space and the strategy of meaning generation of the classical text, but also the change of the meaning generation strategy of the classical text. At the same time, it also indicates the inherent innovation of the classical judgment mechanism and aesthetic attributes, thus leading to the two main forms of "re-classic" and "pan-canon". The visual communication of literary classics is the modern growing point of literary development. Undoubtedly, it follows the dual logic of classical inheritance and visual age, which leads to a new mode of visual interpretation of literary texts, which makes it possible to construct visual criticism in the modern sense.
【作者單位】： 安徽農(nóng)業(yè)大學(xué)人文社會科學(xué)學(xué)院;復(fù)旦大學(xué)中文系;
【基金】：國家社科基金重點(diǎn)項(xiàng)目“‘語言學(xué)轉(zhuǎn)向’與視覺方法論研究”(15AZW003) 安徽省哲學(xué)社會科學(xué)規(guī)劃項(xiàng)目“明清新安刻本中的圖像傳播機(jī)制研究”(AHSKQ2016D132) 中國第57批博士后基金面上項(xiàng)目“現(xiàn)代視覺藝術(shù)的互文圖譜研究”(2015M571472)的階段性成果
【分類號】：I106;J905
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本文編號：1683847