發(fā)布時(shí)間：2018-03-02 15:40

  本文選題：《還鄉(xiāng)》　切入點(diǎn)：弗洛姆　出處：《云南師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：作為19世紀(jì)至20世紀(jì)期間最具影響力的現(xiàn)實(shí)主義作家之一,哈代對(duì)于所處時(shí)代的社會(huì)變遷十分敏感,其著名的“威塞克斯小說”展示了英國(guó)西南部多塞特的自然風(fēng)光和社會(huì)風(fēng)俗習(xí)慣,呈現(xiàn)了工業(yè)文明給當(dāng)時(shí)社會(huì)所帶來的變化和不良影響,揭示了人性的美與丑、善與惡。哈代的第一部悲劇小說《還鄉(xiāng)》出版于1878年,雖名氣不如其后期小說《德伯家的苔絲》或《無(wú)名的裘德》,但仍屬哈代的杰出作品之一�！哆�鄉(xiāng)》一書主要寫了兩位男女主人公幸福結(jié)合而又走向悲慘破裂的故事。男主人公克萊姆在大都市巴黎從事珠寶行業(yè),事業(yè)有成、前途似錦。然而他卻厭惡大都市的奢靡生活,一心只想回到家鄉(xiāng)創(chuàng)辦一所學(xué)校,幫助鄉(xiāng)民改變自己的命運(yùn)。而出生于城市卻因父母去世而搬到埃頓荒原與外祖父生活的尤苔莎,厭惡這個(gè)地方,一心向往的就是能生活在巴黎這樣的大城市,過上上流社會(huì)的美好生活,來實(shí)現(xiàn)自身的人生價(jià)值�？上攵�,生活目標(biāo)如此截然不同的兩個(gè)年輕人的婚姻,最終只能走向失敗。再者,小說中另一個(gè)重要角色達(dá)蒙,為了追求尤苔莎推遲了與托瑪辛的結(jié)婚。他一心只想占有尤苔莎,而并不是真正的愛。通過講述這樣一段悲情的愛戀故事,《還鄉(xiāng)》展現(xiàn)了一段愛與夢(mèng)想之間的糾葛,洞察了現(xiàn)代性給人類社會(huì)所帶來的負(fù)面影響,抨擊了工業(yè)文明對(duì)自然、人類以及兩性情感所造成的扭曲�！哆�鄉(xiāng)》這個(gè)標(biāo)題僅從字面意思理解遠(yuǎn)遠(yuǎn)不夠,它有著更深層次的內(nèi)涵。誠(chéng)然,這部小說圍繞著從巴黎遠(yuǎn)道歸來的克萊姆展開。哈代的這位歸鄉(xiāng)者是一個(gè)有著現(xiàn)代面容的現(xiàn)代人,懷揣著教書育人的夢(mèng)想從現(xiàn)代都市巴黎回到埃頓荒原。他的回歸象征著現(xiàn)代性的對(duì)立面,這正是哈代的理想歸宿。整篇小說的行文結(jié)構(gòu)都在圍繞著游苔莎與克林的夢(mèng)想展開。夢(mèng)想是他們生存的希望,也是造成他們悲劇發(fā)生的根源所在。字里行間,作者哈代從未評(píng)價(jià)過他們的夢(mèng)想的對(duì)與錯(cuò),他只是在呈現(xiàn)現(xiàn)代人的痛苦與生存困境。男主人公還鄉(xiāng)的夢(mèng)想正是作者對(duì)工業(yè)文明和現(xiàn)代性的斥責(zé)以及對(duì)淳樸生活的懷舊之情的體現(xiàn)。提及現(xiàn)代人的生存困境,美國(guó)人本主義哲學(xué)家弗洛姆對(duì)現(xiàn)代人的生存境況所表現(xiàn)出的審美關(guān)懷以及對(duì)愛的探討,不論是應(yīng)用于文本分析,還是對(duì)當(dāng)代社會(huì),皆具有積極的啟示和借鑒作用。因此,本文試圖以弗洛姆的審美思想為理論基點(diǎn),解讀《還鄉(xiāng)》中主人公的夢(mèng)想、愛情、婚姻、激情、異化以及焦慮,探討哈代對(duì)現(xiàn)代人生存困境的理解。在新的時(shí)代背景下重新解讀《還鄉(xiāng)》,有助于我們?cè)趥ゴ笞骷覀儗?duì)現(xiàn)代工業(yè)文明的批判中找到共鳴,更好地尋找到人生的意義、把握人生的奧妙,提醒人們關(guān)心自我、關(guān)愛他人,以審美的方式消弭現(xiàn)實(shí)中的壓抑與異化,實(shí)現(xiàn)詩(shī)意的棲居。
[Abstract]:As one of the most influential realist writers from 19th century to 20th century, Hardy was very sensitive to the social changes of his time. His famous "Wessex novel" shows the natural scenery and social customs of Dorset in southwestern England, presents the changes and adverse effects of industrial civilization on the society at that time, and reveals the beauty and ugliness of human nature. Good and evil. Hardy's first tragic novel, returning Home, was published in 1878. Although not as famous as his later novels Tess of the Deborgs or Jude of the unknown, it is still one of Hardy's outstanding works. The return to Home book is devoted to the story of the happy union of the two protagonists and the tragic breakdown of their lives. Clem, the hero, works in the jewelry industry in the metropolis of Paris, But he hated the extravagant life of the big city, and only wanted to return to his hometown to set up a school. To help the townspeople change their own destinies. But Yutsa, who was born in a city and moved to the Eton wasteland to live with her grandfather because of his parents' death, abhors this place and aspires to live in a big city like Paris. The marriage of two young people, whose goals are so different, can only fail in the end. Moreover, Damon, another important character in the novel, In pursuit of Youtesa, he postponed marriage to Tomasin. He wanted only to possess Yattesa, not the true love. By telling such a sad love story, "return home" shows a struggle between love and dreams. Insight into the negative impact of modernity on human society, and criticism of the distortions caused by industrial civilization to the feelings of nature, human beings and both sexes. It has a deeper connotation. True, the novel revolves around Clem, who returned from Paris. Hardy's homecoming is a modern man with a modern face. With the dream of teaching and educating, he returned from Paris, the modern city, to the Eton wasteland. His return symbolized the opposite of modernity. This is Hardy's ideal destination. The structure of the novel revolves around the dreams of Tessa and Klin. Dreams are the hope for their survival and the source of their tragedy. The author Hardy has never commented on the right or wrong of their dreams. His dream of returning to his hometown is a reflection of the author's rebuke of industrial civilization and modernity and his nostalgia for simple life. American humanist philosopher Fromm's aesthetic concern for the living conditions of modern people and the discussion of love, both in text analysis and in contemporary society, have positive enlightenment and reference function. Based on Fromm's aesthetic thoughts, this paper attempts to interpret the hero's dreams, love, marriage, passion, alienation and anxiety in returning to his hometown. To probe into Hardy's understanding of the plight of modern people's existence and to reinterpret "returning to one's hometown" in the context of the new era will help us find resonance in the criticism of modern industrial civilization by great writers and better find the meaning of life. Grasp the mystery of life, remind people to care about themselves, care for others, aesthetic way to eliminate the reality of repression and alienation, to achieve poetic residence.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I561.074

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 馬弦;論《還鄉(xiāng)》中大自然描寫的象征性[J];四川外語(yǔ)學(xué)院學(xué)報(bào);2003年06期

2 黃錦華;;《還鄉(xiāng)》中神話詞語(yǔ)比喻的使用和欣賞[J];安徽文學(xué)(下半月);2008年03期

3 唐美華;;張谷若及其譯本《還鄉(xiāng)》文獻(xiàn)研究述評(píng)[J];安徽文學(xué)(下半月);2010年01期

4 黃荷;胡燕;;重審《還鄉(xiāng)》中游苔莎的悲劇[J];文教資料;2009年15期

5 卓芹;;再探《還鄉(xiāng)》女主角游苔莎悲劇命運(yùn)的成因[J];考試周刊;2009年52期

6 馬秀麗;;性格決定命運(yùn)——淺析《還鄉(xiāng)》中游苔莎的悲劇[J];作家;2009年06期

7 黃錦華;;神話詞語(yǔ)和《還鄉(xiāng)》的創(chuàng)作與欣賞[J];懷化學(xué)院學(xué)報(bào);2007年11期

8 楊瀾;;回歸與走失:《還鄉(xiāng)》中主人公命運(yùn)分析[J];中州大學(xué)學(xué)報(bào);2008年01期

9 趙煒;;想象的他者——淺析《還鄉(xiāng)》中的尤苔莎[J];西安文理學(xué)院學(xué)報(bào)(社會(huì)科學(xué)版);2010年02期

10 葉冬琳;;空間焦慮下的艱難逃離——析《還鄉(xiāng)》中游苔莎的反叛命運(yùn)[J];牡丹江師范學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2012年01期

相關(guān)碩士學(xué)位論文 前10條

1 廖春周;夢(mèng)與愛的較量—論哈代《還鄉(xiāng)》中的現(xiàn)代性困境[D];云南師范大學(xué);2017年

2 陳琳;《還鄉(xiāng)》的生態(tài)批評(píng)闡釋[D];四川師范大學(xué);2015年

3 吳超界;《還鄉(xiāng)》中的浪漫主義怪誕與狂歡[D];南京師范大學(xué);2014年

4 賈廷偉;《還鄉(xiāng)》的原型解讀[D];蘭州大學(xué);2016年

5 樊致宏;厚翻譯視閾下張谷若譯本《還鄉(xiāng)》中的漢譯策略研究[D];吉林大學(xué);2016年

6 趙少博;《還鄉(xiāng)》的生態(tài)女性主義解讀[D];東北林業(yè)大學(xué);2016年

7 杜俠玲;敘事聚焦視野下《還鄉(xiāng)》中倫理沖突分析[D];燕山大學(xué);2016年

8 紀(jì)凡;從生態(tài)女性主義視角解讀《還鄉(xiāng)》中游苔莎的悲劇[D];遼寧大學(xué);2011年

9 劉星娟;《還鄉(xiāng)》中尤苔莎悲劇命運(yùn)的生態(tài)批評(píng)解讀[D];湖南師范大學(xué);2012年

10 郭亞玲;《還鄉(xiāng)》所用典故的藝術(shù)效果[D];河北師范大學(xué);2003年

，

本文編號(hào)：1557129